J L Coetser
Biographic Data
| ID | 6003239 |
|---|---|
| NAME | J L Coetser |
| GIVEN NAMES | J L |
| FAMILY NAME | Coetser |
| SIGNATURE | COETSER J L |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Voorstellings van verset in drie Adam Small-dramas
This article investigates the extent to which the title characters in three Adam Small plays represent dramatic and theatrical expressions of revolt. The title characters are Kanna (in Kanna hy kô hystoe), Joanie (in Joanie Galant-hulle) and Map (in Krismis van Map Jacobs). The discussion concludes that two forms of revolt dominate in these plays, namely expressions of overt and covert revolt. In his first play, Kanna acts the part of the relucta…
Gemeenskapstoneel deur Robert J. Pearce
Extended English Summary - Community Plays by Robert J. Pearce : Expressions of Consciousness (An Initial Examination) This article is a preliminary examination of reflections of consciousness in plays by Robert J. Pearce. The examination departs from ideas suggested by Daniel Meyer-Dinkgrafe (2005) in his monograph titled Theatre and consciousness: explanatory scope and future potential, Peter Malekin and Ralph Yarrows' (2001) exploration of rel…
So little of it left”
(2003). “So little of it left”: remembrance, occasion and event in Afrikaans theatre. South African Theatre Journal: Vol. 17, No. 1, pp. 7-36
Ek Sal Jou Hierna Verwys, Maar Kom Ons Gesels Daaroor
Marisa Mouton's book on a semiotic approach to the theory of drama and theatre, Dramateorie vandag (Dramatic Theory Today, 1989), is a welcome addition to this field in Afrikaans. It meets the first requirement Carlson (1990: xii) sets for future investigations of the semiotics of theatre and drama, i.e. an investigation of the contribution of the audience, and hence the influence of the performance, on dramatic and theatrical communication. Foll…
Die struktuur van die allegorie
This discussion focuses on three aspects in the development of allegory. As a result of its religious origin, the most important allegorical codes are travel and battle. The date of origin, however, is undeterminable. Fulgentius's use of the Aeneas as basic pattern for his sixth century Continentia Vergiliana marks a further milestone in the development of allegory. During the Middle Ages, Good and Evil in allegorical moralities are portrayed eth…
No prominent works on this page.
Die struktuur van die allegorie
This discussion focuses on three aspects in the development of allegory. As a result of its religious origin, the most important allegorical codes are travel and battle. The date of origin, however, is undeterminable. Fulgentius's use of the Aeneas as basic pattern for his sixth century Continentia Vergiliana marks a further milestone in the development of allegory. During the Middle Ages, Good and Evil in allegorical moralities are portrayed eth…
Ek Sal Jou Hierna Verwys, Maar Kom Ons Gesels Daaroor
Marisa Mouton's book on a semiotic approach to the theory of drama and theatre, Dramateorie vandag (Dramatic Theory Today, 1989), is a welcome addition to this field in Afrikaans. It meets the first requirement Carlson (1990: xii) sets for future investigations of the semiotics of theatre and drama, i.e. an investigation of the contribution of the audience, and hence the influence of the performance, on dramatic and theatrical communication. Foll…
So little of it left”
(2003). “So little of it left”: remembrance, occasion and event in Afrikaans theatre. South African Theatre Journal: Vol. 17, No. 1, pp. 7-36
Gemeenskapstoneel deur Robert J. Pearce
Extended English Summary - Community Plays by Robert J. Pearce : Expressions of Consciousness (An Initial Examination) This article is a preliminary examination of reflections of consciousness in plays by Robert J. Pearce. The examination departs from ideas suggested by Daniel Meyer-Dinkgrafe (2005) in his monograph titled Theatre and consciousness: explanatory scope and future potential, Peter Malekin and Ralph Yarrows' (2001) exploration of rel…
Voorstellings van verset in drie Adam Small-dramas
This article investigates the extent to which the title characters in three Adam Small plays represent dramatic and theatrical expressions of revolt. The title characters are Kanna (in Kanna hy kô hystoe), Joanie (in Joanie Galant-hulle) and Map (in Krismis van Map Jacobs). The discussion concludes that two forms of revolt dominate in these plays, namely expressions of overt and covert revolt. In his first play, Kanna acts the part of the relucta…
Art (4 works) · History (3 works) · Theatre and Performance Studies (3 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works) · South African History and Culture (2 works) · Allegory (1 work) · Archaeology and Rock Art Studies (1 work) · Artistic and Creative Research (1 work)