Solomon Omatsola Azumurana
Biographic Data
| ID | 6003450 |
|---|---|
| NAME | Solomon Omatsola Azumurana |
| GIVEN NAMES | Solomon Omatsola |
| FAMILY NAME | Azumurana |
| SIGNATURE | AZUMURANA S O |
| AFFILIATIONS | University of Lagos |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Wole Soyinka’s dystopian/utopian vision in A Dance of the Forests
Although very few critics have ventured to analyze Wole Soyinka’s A Dance of the Forests owing to its apparent difficulty, yet those who have attempted simply see it as a metaphorical commentary of the sociopolitical situation in Nigeria. While their observations might be valid, taking into cognizance that the play was written in 1960 as part of the celebration of Nigeria’s independence, the problem with such readings is that it does not take int…
Creating Transgressive Space in Ezeigbo’s The Last of the Strong Ones and Emecheta’s Double Yoke
Creating Transgressive Space in Ezeigbo’s The Last of the Strong Ones and Emecheta’s Double Yoke." Journal of the African Literature Association, 7(1), pp. 125–140
Freud’s “Penis Envy,” Lacan’s the “Desire to be the Other” Nigerian Feminist Aesthetics
Freud’s “Penis Envy,” Lacan’s the “Desire to be the Other” Nigerian Feminist Aesthetics: Adimora–Ezeigbo’s Children of the Eagle and Kaine Agary’s Yellow-Yellow.." Journal of the African Literature Association, 6(1), pp. 151–163
No prominent works on this page.
Freud’s “Penis Envy,” Lacan’s the “Desire to be the Other” Nigerian Feminist Aesthetics
Freud’s “Penis Envy,” Lacan’s the “Desire to be the Other” Nigerian Feminist Aesthetics: Adimora–Ezeigbo’s Children of the Eagle and Kaine Agary’s Yellow-Yellow.." Journal of the African Literature Association, 6(1), pp. 151–163
Creating Transgressive Space in Ezeigbo’s The Last of the Strong Ones and Emecheta’s Double Yoke
Creating Transgressive Space in Ezeigbo’s The Last of the Strong Ones and Emecheta’s Double Yoke." Journal of the African Literature Association, 7(1), pp. 125–140
Wole Soyinka’s dystopian/utopian vision in A Dance of the Forests
Although very few critics have ventured to analyze Wole Soyinka’s A Dance of the Forests owing to its apparent difficulty, yet those who have attempted simply see it as a metaphorical commentary of the sociopolitical situation in Nigeria. While their observations might be valid, taking into cognizance that the play was written in 1960 as part of the celebration of Nigeria’s independence, the problem with such readings is that it does not take int…
Art (3 works) · Aesthetics (2 works) · African history and culture studies (2 works) · Biology (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Postcolonial and Cultural Literary Studies (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Sociology (2 works)