Lida Krüger
Biographic Data
| ID | 6003484 |
|---|---|
| NAME | Lida Krüger |
| GIVEN NAMES | Lida |
| FAMILY NAME | Krüger |
| SIGNATURE | KRUGER L |
| AFFILIATIONS | University of South Africa |
| ORCID | 0000-0003-0336-3096 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Stinkhout (Philip Rademeyer)
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices.
Putting on a show: The queering of idealized femininity in Lana Del Rey's early work
Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse
Some scholars have declared metamodernism to be postmodernism’s successor, and Afrikaans novelist Ingrid Winterbach’s work has been argued to be an example of this distinct move away from the postmodern paradigm. However, in this article I present the alternative interpretation that Winterbach’s play, Spyt (Regret), rather represents postmodernism’s inability to give way to its successor. An investigation from a postmodern perspective leads me to…
Skrapnel (Willem Anker)
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices
The Shadow of the Hummingbird (Athol Fugard)
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices
South African drama and theatre heritage (part II): What does the future hold
In Part I, ‘A map of where we find ourselves’, the focus was firstly on providing a theoretical substantiation for the new technological approach towards cultural heritage (including the performance arts); secondly, to give a short historical overview of the South African drama and theatre heritage; and thirdly, to survey the current situation with regard to drama and theatre preservation in South Africa. In Part II the focus is on the future: ho…
South African drama and theatre heritage (part I): A map of where we find ourselves
The inaccessibility of documents on South African theatre productions poses a considerable problem in both the research and teaching of theatre. The gap that this has created in our literary history may be irreversible as live performance is the most ephemeral of art forms. The recording of theatre performance inevitably implies a distortion of the original event, but is nevertheless of vital importance for theatre research. This article first ex…
Subversion versus Inversion: The Loss of the Carnivalesque in Janet Suzman's The Free State
According to Gilbert and Thompkins (1996: 5), postcolonial drama is aimed at dismantling the hierarchies and determinants that create binary oppositions in postcolonial contexts and – according to Young (2001: 4) – also actively transforming the present “out of the clutches of the past”. This dismantling can, however, only occur when the inevitable ambivalence of postcolonial binaries are taken into account (Gilbert & Thompkins 1996: 6). In her t…
Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse
Some scholars have declared metamodernism to be postmodernism’s successor, and Afrikaans novelist Ingrid Winterbach’s work has been argued to be an example of this distinct move away from the postmodern paradigm. However, in this article I present the alternative interpretation that Winterbach’s play, Spyt (Regret), rather represents postmodernism’s inability to give way to its successor. An investigation from a postmodern perspective leads me to…
Subversion versus Inversion: The Loss of the Carnivalesque in Janet Suzman's The Free State
According to Gilbert and Thompkins (1996: 5), postcolonial drama is aimed at dismantling the hierarchies and determinants that create binary oppositions in postcolonial contexts and – according to Young (2001: 4) – also actively transforming the present “out of the clutches of the past”. This dismantling can, however, only occur when the inevitable ambivalence of postcolonial binaries are taken into account (Gilbert & Thompkins 1996: 6). In her t…
South African drama and theatre heritage (part II): What does the future hold
In Part I, ‘A map of where we find ourselves’, the focus was firstly on providing a theoretical substantiation for the new technological approach towards cultural heritage (including the performance arts); secondly, to give a short historical overview of the South African drama and theatre heritage; and thirdly, to survey the current situation with regard to drama and theatre preservation in South Africa. In Part II the focus is on the future: ho…
South African drama and theatre heritage (part I): A map of where we find ourselves
The inaccessibility of documents on South African theatre productions poses a considerable problem in both the research and teaching of theatre. The gap that this has created in our literary history may be irreversible as live performance is the most ephemeral of art forms. The recording of theatre performance inevitably implies a distortion of the original event, but is nevertheless of vital importance for theatre research. This article first ex…
The Shadow of the Hummingbird (Athol Fugard)
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices
Skrapnel (Willem Anker)
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices
Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse
Some scholars have declared metamodernism to be postmodernism’s successor, and Afrikaans novelist Ingrid Winterbach’s work has been argued to be an example of this distinct move away from the postmodern paradigm. However, in this article I present the alternative interpretation that Winterbach’s play, Spyt (Regret), rather represents postmodernism’s inability to give way to its successor. An investigation from a postmodern perspective leads me to…
Putting on a show: The queering of idealized femininity in Lana Del Rey's early work
Stinkhout (Philip Rademeyer)
Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices.
Art (6 works) · History (5 works) · Sociology (4 works) · South African History and Culture (4 works) · Visual arts (4 works) · Drama (3 works) · Literature (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works)