Hennie Aucamp
Biographic Data
| ID | 6003632 |
|---|---|
| NAME | Hennie Aucamp |
| GIVEN NAMES | Hennie |
| FAMILY NAME | Aucamp |
| SIGNATURE | AUCAMP H |
| AFFILIATIONS | University of Pretoria |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
Muses van die modder
The point of departure for this article is the striking commonalities shared by the tango and the cabaret. As the title suggests, both genres have colourful, yet modest origins, indebted to those, like prostitutes and criminals, on the margins of society. The (cabaret) chanson is often referred to as the "art song (kunslied) of the street and cafe", and the same holds for the tango. The difference between the cabaret chanson and the tango lies th…
Die Sewe Doodsondes in Kabaretverband / the Seven Deadly Sins in Cabaret
This article maintains that the seven deadly sins (Anger, Avarice, Despair, Envy, Gluttony, Lust, Pride, Sloth) have been and will always be the basic theme of the cabaret writer, just as they are the natural themes of all writers and painters. The author refers to several writers, as well as a series which appeared in The New York Times Book Review of 1993 in which well known writers each explore one of me (deadly) sins, and shows that the depic…
No prominent works on this page.
Die Sewe Doodsondes in Kabaretverband / the Seven Deadly Sins in Cabaret
This article maintains that the seven deadly sins (Anger, Avarice, Despair, Envy, Gluttony, Lust, Pride, Sloth) have been and will always be the basic theme of the cabaret writer, just as they are the natural themes of all writers and painters. The author refers to several writers, as well as a series which appeared in The New York Times Book Review of 1993 in which well known writers each explore one of me (deadly) sins, and shows that the depic…
Muses van die modder
The point of departure for this article is the striking commonalities shared by the tango and the cabaret. As the title suggests, both genres have colourful, yet modest origins, indebted to those, like prostitutes and criminals, on the margins of society. The (cabaret) chanson is often referred to as the "art song (kunslied) of the street and cafe", and the same holds for the tango. The difference between the cabaret chanson and the tango lies th…
Art (2 works) · Art history (2 works) · History (2 works) · Alienation (1 work) · Allegory (1 work) · American Sports and Literature (1 work) · Comics (1 work) · Cultural Studies and Interdisciplinary Research (1 work) · Depiction (1 work) · Disenchantment (1 work)