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Folasade Hunsu

Biographic Data

ID6003695
NAMEFolasade Hunsu
GIVEN NAMESFolasade
FAMILY NAMEHunsu
SIGNATUREHUNSU F
AFFILIATIONSObafemi Awolowo University
ORCID0000-0003-2829-2861
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Personal Citation, Rhetorical Practice and the Reinvention of Oríkì Tradition

    Open Access•Henri Oripeloye, Folasade Hunsu•ARTICLE•Advances in Literary Study•2021

    This essay responds to the shaping influence of Yorùbá oríkì on personal citation, a written text that constructs individual identity in contemporary time. It reads personal citation as a cultural production that is realised through performance. Through a close reading of two purposively selected citation texts, the essay examines the various angles of interpolations between this written literature and the rhetorical practice of Yoruba oríkì. Spe…

  • Taboos and Their Subversion

    Folasade Hunsu•ARTICLE•a/b Auto/Biography Studies•2020•References: 4

    This essay explores Oluremi Obasanjo’s reconceptualization, in Bitter-Sweet: My Life with Obasanjo, of the culturally defined proper African woman. Published at the pinnacle of her husband’s life as a respected political leader in Africa, the text is a compendium of personal details of their marital life. The study examines how the author-protagonist defies culturally imposed restrictions on female expression by engaging instances of male abuse, …

  • The Future of African Women's Autobiography

    Folasade Hunsu•ARTICLE•a/b Auto/Biography Studies•2017•Cited by: 2•References: 1

    Autobiography occupies a central space in African women's writing as the primal genre through which African women have participated in the representation of African experience and the shaping of Af

  • Redefining otherness

    Open Access•Folasade Hunsu•ARTICLE•Tydskrif vir letterkunde•2017

    This study seeks to examine how the Nigerian female writer Akachi Adimora-Ezeigbo redefines otherness in Children of the Eagle by exploring the narrative elements of the sub-genre of fictional autobiography in centring female subjects. By foregrounding one of Regenia Gagnier’s descriptions of a subject—one that is “a subject to itself, an ‘I’, however difficult or even impossible it may be for others to understand this ‘I’ from its own viewpoint,…

  • Engendering an Alternative Approach to Otherness in African Women's Autobiography

    Folasade Hunsu•ARTICLE•Life Writing•2013•Cited by: 1•References: 8

    This paper proposes an alternative approach to the reading of otherness in African women's autobiography. It is inspired by the Oloto proverbial of the Yoruba people of South West Nigeria which projects otherness as the uniqueness and power of the individual to speak for ‘self’ as an ‘other’. It examines the strategies employed by Wambui Otieno in her autobiography, Mau Mau's Daughter: A Life History to celebrate her otherness as defined by the O…

  • The Future of African Women's Autobiography

    Folasade Hunsu•ARTICLE•a/b Auto/Biography Studies•2017•Cited by: 2•References: 1

    Autobiography occupies a central space in African women's writing as the primal genre through which African women have participated in the representation of African experience and the shaping of Af

  • Engendering an Alternative Approach to Otherness in African Women's Autobiography

    Folasade Hunsu•ARTICLE•Life Writing•2013•Cited by: 1•References: 8

    This paper proposes an alternative approach to the reading of otherness in African women's autobiography. It is inspired by the Oloto proverbial of the Yoruba people of South West Nigeria which projects otherness as the uniqueness and power of the individual to speak for ‘self’ as an ‘other’. It examines the strategies employed by Wambui Otieno in her autobiography, Mau Mau's Daughter: A Life History to celebrate her otherness as defined by the O…

  • Engendering an Alternative Approach to Otherness in African Women's Autobiography

    Folasade Hunsu•ARTICLE•Life Writing•2013•Cited by: 1•References: 8

    This paper proposes an alternative approach to the reading of otherness in African women's autobiography. It is inspired by the Oloto proverbial of the Yoruba people of South West Nigeria which projects otherness as the uniqueness and power of the individual to speak for ‘self’ as an ‘other’. It examines the strategies employed by Wambui Otieno in her autobiography, Mau Mau's Daughter: A Life History to celebrate her otherness as defined by the O…

  • The Future of African Women's Autobiography

    Folasade Hunsu•ARTICLE•a/b Auto/Biography Studies•2017•Cited by: 2•References: 1

    Autobiography occupies a central space in African women's writing as the primal genre through which African women have participated in the representation of African experience and the shaping of Af

  • Redefining otherness

    Open Access•Folasade Hunsu•ARTICLE•Tydskrif vir letterkunde•2017

    This study seeks to examine how the Nigerian female writer Akachi Adimora-Ezeigbo redefines otherness in Children of the Eagle by exploring the narrative elements of the sub-genre of fictional autobiography in centring female subjects. By foregrounding one of Regenia Gagnier’s descriptions of a subject—one that is “a subject to itself, an ‘I’, however difficult or even impossible it may be for others to understand this ‘I’ from its own viewpoint,…

  • Taboos and Their Subversion

    Folasade Hunsu•ARTICLE•a/b Auto/Biography Studies•2020•References: 4

    This essay explores Oluremi Obasanjo’s reconceptualization, in Bitter-Sweet: My Life with Obasanjo, of the culturally defined proper African woman. Published at the pinnacle of her husband’s life as a respected political leader in Africa, the text is a compendium of personal details of their marital life. The study examines how the author-protagonist defies culturally imposed restrictions on female expression by engaging instances of male abuse, …

  • Personal Citation, Rhetorical Practice and the Reinvention of Oríkì Tradition

    Open Access•Henri Oripeloye, Folasade Hunsu•ARTICLE•Advances in Literary Study•2021

    This essay responds to the shaping influence of Yorùbá oríkì on personal citation, a written text that constructs individual identity in contemporary time. It reads personal citation as a cultural production that is realised through performance. Through a close reading of two purposively selected citation texts, the essay examines the various angles of interpolations between this written literature and the rhetorical practice of Yoruba oríkì. Spe…

Postcolonial and Cultural Literary Studies (5 works) · Sociology (5 works) · Art (4 works) · Biography (4 works) · Gender Studies (4 works) · Gender Studies (4 works) · History (4 works) · History (4 works) · Law (4 works) · Literature (4 works)

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