Flint Flint
Biographic Data
| ID | 6011237 |
|---|---|
| NAME | Flint Flint |
| GIVEN NAMES | Flint |
| FAMILY NAME | Flint |
| SIGNATURE | FLINT F |
| AFFILIATIONS | Rutgers, the State University of New Jersey |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Surround, Background, and the Overlooked
This piece invites attention to the background of photographs, or, as James Elkins would call it, the surround. He argues that the characteristics of the surround mean that this feature can be used to distinguish the genre of photography from that of painting. This essay maintains that there is much more of an overlap between photography and painting in this respect than he allows, since photographic surrounds were frequently artificial, or depen…
A Return to the Common Reader
Reviewed by: A Return to the Common Reader: Print Culture and the Novel, 1850–1900 edited by Beth Palmer and Adelene Buckland Kate Flint (bio) A Return to the Common Reader: Print Culture and the Novel, 1850–1900, edited by Beth Palmer and Adelene Buckland; pp. xii + 188. Aldershot and Burlington, VT: Ashgate, 2011, £55.00, $99.95. What, exactly, do we mean when we speak of “the common reader”? In George Gissing’s New Grub Street (1891) the term …
The “hour of pink twilight”
This essay examines the cultural representation of women's encounters on the fin-de-siècle street and, in particular, the uncertainties that clustered around the possibilities of mutual, or one-sided, same-sex desire accompanying such meetings. It argues, through an examination of lyric poetry, paintings, and short fiction, for the usefulness of twilight--a time of shadowy ambiguity--as a trope to suggest these uncertainities. More than this, it …
The “hour of pink twilight”
This essay examines the cultural representation of women's encounters on the fin-de-siècle street and, in particular, the uncertainties that clustered around the possibilities of mutual, or one-sided, same-sex desire accompanying such meetings. It argues, through an examination of lyric poetry, paintings, and short fiction, for the usefulness of twilight--a time of shadowy ambiguity--as a trope to suggest these uncertainities. More than this, it …
The “hour of pink twilight”
This essay examines the cultural representation of women's encounters on the fin-de-siècle street and, in particular, the uncertainties that clustered around the possibilities of mutual, or one-sided, same-sex desire accompanying such meetings. It argues, through an examination of lyric poetry, paintings, and short fiction, for the usefulness of twilight--a time of shadowy ambiguity--as a trope to suggest these uncertainities. More than this, it …
A Return to the Common Reader
Reviewed by: A Return to the Common Reader: Print Culture and the Novel, 1850–1900 edited by Beth Palmer and Adelene Buckland Kate Flint (bio) A Return to the Common Reader: Print Culture and the Novel, 1850–1900, edited by Beth Palmer and Adelene Buckland; pp. xii + 188. Aldershot and Burlington, VT: Ashgate, 2011, £55.00, $99.95. What, exactly, do we mean when we speak of “the common reader”? In George Gissing’s New Grub Street (1891) the term …
Surround, Background, and the Overlooked
This piece invites attention to the background of photographs, or, as James Elkins would call it, the surround. He argues that the characteristics of the surround mean that this feature can be used to distinguish the genre of photography from that of painting. This essay maintains that there is much more of an overlap between photography and painting in this respect than he allows, since photographic surrounds were frequently artificial, or depen…
Art (3 works) · Art history (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Poetry (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Argument (complex analysis (1 work)