Siegel Siegel
Biographic Data
| ID | 6011268 |
|---|---|
| NAME | Siegel Siegel |
| GIVEN NAMES | Siegel |
| FAMILY NAME | Siegel |
| SIGNATURE | SIEGEL S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Victorian Culture and Classical Antiquity
Reviewed by: Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity by Simon Goldhill Jonah Siegel (bio) Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity, by Simon Goldhill; pp. viii + 352. Princeton: Princeton University Press, 2011, $45.00. Years ago I came across John William Waterhouse’s Hylas and the Nymphs (1896) reproduced in mosaic over a bathtub i…
The Material of Form
The conceit of a child’s unmediated encounter with galleries of antique art that opens Vernon Lee’s “The Child in the Vatican” (1881) seems designed to evoke that well-worn contrast between an idealized vision of antiquity based on sparse knowledge and conjecture characteristic of earlier eras and a more informed—because more material—encounter with particular objects typical of later periods. And yet, the scandalously formalist account of the Ni…
Wanted
No prominent works on this page.
Wanted
Victorian Culture and Classical Antiquity
Reviewed by: Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity by Simon Goldhill Jonah Siegel (bio) Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity, by Simon Goldhill; pp. viii + 352. Princeton: Princeton University Press, 2011, $45.00. Years ago I came across John William Waterhouse’s Hylas and the Nymphs (1896) reproduced in mosaic over a bathtub i…
The Material of Form
The conceit of a child’s unmediated encounter with galleries of antique art that opens Vernon Lee’s “The Child in the Vatican” (1881) seems designed to evoke that well-worn contrast between an idealized vision of antiquity based on sparse knowledge and conjecture characteristic of earlier eras and a more informed—because more material—encounter with particular objects typical of later periods. And yet, the scandalously formalist account of the Ni…
Art (2 works) · Art history (2 works) · Computer Science (2 works) · Epistemology (2 works) · Philosophy (2 works) · Philosophy (2 works) · Abstraction (1 work) · Aesthetics (1 work) · Antique (1 work) · Argument (complex analysis (1 work)