Harrington Harrington
Biographic Data
| ID | 6011273 |
|---|---|
| NAME | Harrington Harrington |
| GIVEN NAMES | Harrington |
| FAMILY NAME | Harrington |
| SIGNATURE | HARRINGTON H |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Angry Women and the Dramatic Monologue
Angry Women and the Dramatic Monologue Melissa Valiska Gregory (bio) and Emily Harrington (bio) "I was actually, to be honest, angry with him, and you know, I hate to say it, but often when women show anger, it's not fully appreciated. It's often, you know, pushed onto emotional issues perhaps, or deflected onto other people." ("Transcript: Fiona Hill") Fiona Hill, former Russia expert for the National Security Council, uttered these words while …
A Merciful Fury Sent to Save Me”: Amy Levy's “Xantippe” and Women's Conversations
This essay considers one of the most remarkable scenes of women's anger from Victorian dramatic monologues, when the title character recounts dashing the wineskin in Amy Levy's "Xantippe" (1881). I argue that Levy's poem asks readers both to identify with Xantippe's anger and to take the perspective of the silently listening maids. Xantippe's rage at the way her husband Sokrates dismisses her intelligence is compelling to most readers and yet per…
Is Quentin Tarantino Calvin Candie: The Essence of Exploitation in Django Unchained
This essay argues that Quentin Tarantino’s use of African American cultural history as a cinematic tool is similar in exploitation to the actions of his own slave-owning villain Calvin Candie in Django Unchained. Through the close examination of two key scenes, it will be shown that Tarantino’s stylistic use of slavery and African American characters is deeply problematic in its white savior arrogance to revise black cultural history through the …
No prominent works on this page.
Is Quentin Tarantino Calvin Candie: The Essence of Exploitation in Django Unchained
This essay argues that Quentin Tarantino’s use of African American cultural history as a cinematic tool is similar in exploitation to the actions of his own slave-owning villain Calvin Candie in Django Unchained. Through the close examination of two key scenes, it will be shown that Tarantino’s stylistic use of slavery and African American characters is deeply problematic in its white savior arrogance to revise black cultural history through the …
Angry Women and the Dramatic Monologue
Angry Women and the Dramatic Monologue Melissa Valiska Gregory (bio) and Emily Harrington (bio) "I was actually, to be honest, angry with him, and you know, I hate to say it, but often when women show anger, it's not fully appreciated. It's often, you know, pushed onto emotional issues perhaps, or deflected onto other people." ("Transcript: Fiona Hill") Fiona Hill, former Russia expert for the National Security Council, uttered these words while …
A Merciful Fury Sent to Save Me”: Amy Levy's “Xantippe” and Women's Conversations
This essay considers one of the most remarkable scenes of women's anger from Victorian dramatic monologues, when the title character recounts dashing the wineskin in Amy Levy's "Xantippe" (1881). I argue that Levy's poem asks readers both to identify with Xantippe's anger and to take the perspective of the silently listening maids. Xantippe's rage at the way her husband Sokrates dismisses her intelligence is compelling to most readers and yet per…
Sociology (3 works) · Art (2 works) · Gender, Feminism, and Media (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Aesthetics (1 works) · Anger (1 works) · Anthropology (1 works)