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Dino Franco Felluga

Biographic Data

ID6011498
NAMEDino Franco Felluga
GIVEN NAMESDino Franco
FAMILY NAMEFelluga
SIGNATUREFELLUGA D F
AFFILIATIONSPurdue University
ORCID0000-0002-5313-8500
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Conferencing, Crisis, and the Profession

    Open Access•Christopher Adamson, Dino Franco Felluga et al.•ARTICLE•Victoriographies•2025

    This introduction frames the goal of the special issue: to rethink conferencing as a means of navigating challenges in Victorian studies and the profession more broadly. The precipitating event was EVENT 2024, a multisite, reduced-flight, and digitally interconnected conference involving five scholarly associations over the 2024 calendar year. Here, we, the three lead organisers, open by describing the conference and the two halves of this specia…

  • The Cambridge Companion to the Poem

    Open Access•D Attridge, Steven G Yao et al.•BOOK•Cambridge Companion to the Poem•2024

    What is a poem? What ideas about the poem as such shape how readers and audiences encounter individual poems? To explore these questions, the first section of this Companion addresses key conceptual issues, from singularity and genre to the poem's historical exchanges with the song and the novel. The second section turns to issues of form, focusing on voice, rhythm, image, sound, diction, and style. The third section considers the poem's social a…

  • Going a Step Further Than Open Access and Open Source

    Dino Franco Felluga•ARTICLE•Victorians Institute Journal•2022

    This articles asks if the principles of open source and open access are sufficient to safeguard our intellectual labor and to guard against the predatory logic of a world dominated by capitalist systems of production and dissemination. Both open source and open access face a similar problem, as it happens: neglect and obsolescence, as well as the most pernicious Achilles’ heel of the vast majority of digital humanities initiatives: long-term sust…

  • Can Victorian Studies Reclaim the Means of Production? Saving the (Digital) Humanities

    Open Access•Dino Franco Felluga, David Rettenmaier•ARTICLE•Journal of Victorian Culture•2019

    How does a collectively shared, not-for-profit platform like The COVE (at http:// covecollective.org) change the way that we produce knowledge for dissemination to others? Our argument here is that The COVE instantiates a radically different approach to knowledge production, one that has the potential to escape some of the pitfalls of our current reliance on the internet for knowledge dissemination. That reliance has been shaped in ways that coul…

  • Critical Theory

    Dino Franco Felluga, Dino Felluga•BOOK•Critical Theory•2015

    Critical Theory: The Key Concepts introduces over 300 widely-used terms, categories and ideas drawing upon well-established approaches like new historicism, postmodernism, psychoanalysis, Marxism, and narratology as well as many new critical theories of the last twenty years such as Actor-Network Theory, Global Studies, Critical Race Theory, and Speculative Realism. This book explains the key concepts at the heart of a wide range of influential t…

  • BRANCHing out

    Open Access•Dino Franco Felluga•ARTICLE•Critical Quarterly•2013

  • Byron is (Un)Dead

    Emily Allen, Dino Franco Felluga•ARTICLE•English Language Notes•2013

  • The Victorian Archive and the Disappearance of the Book

    Dino Franco Felluga•ARTICLE•Victorian Studies•2006•References: 6

    Dino Franco Felluga, The Victorian Archive and the Disappearance of the Book, Victorian Studies, Vol. 48, No. 2, Papers and Responses from the Third Annual Conference of the North American Victorian Studies Association (Winter, 2006), pp. 305-319

No prominent works on this page.

  • The Victorian Archive and the Disappearance of the Book

    Dino Franco Felluga•ARTICLE•Victorian Studies•2006•References: 6

    Dino Franco Felluga, The Victorian Archive and the Disappearance of the Book, Victorian Studies, Vol. 48, No. 2, Papers and Responses from the Third Annual Conference of the North American Victorian Studies Association (Winter, 2006), pp. 305-319

  • BRANCHing out

    Open Access•Dino Franco Felluga•ARTICLE•Critical Quarterly•2013

  • Byron is (Un)Dead

    Emily Allen, Dino Franco Felluga•ARTICLE•English Language Notes•2013

  • Critical Theory

    Dino Franco Felluga, Dino Felluga•BOOK•Critical Theory•2015

    Critical Theory: The Key Concepts introduces over 300 widely-used terms, categories and ideas drawing upon well-established approaches like new historicism, postmodernism, psychoanalysis, Marxism, and narratology as well as many new critical theories of the last twenty years such as Actor-Network Theory, Global Studies, Critical Race Theory, and Speculative Realism. This book explains the key concepts at the heart of a wide range of influential t…

  • Can Victorian Studies Reclaim the Means of Production? Saving the (Digital) Humanities

    Open Access•Dino Franco Felluga, David Rettenmaier•ARTICLE•Journal of Victorian Culture•2019

    How does a collectively shared, not-for-profit platform like The COVE (at http:// covecollective.org) change the way that we produce knowledge for dissemination to others? Our argument here is that The COVE instantiates a radically different approach to knowledge production, one that has the potential to escape some of the pitfalls of our current reliance on the internet for knowledge dissemination. That reliance has been shaped in ways that coul…

  • Going a Step Further Than Open Access and Open Source

    Dino Franco Felluga•ARTICLE•Victorians Institute Journal•2022

    This articles asks if the principles of open source and open access are sufficient to safeguard our intellectual labor and to guard against the predatory logic of a world dominated by capitalist systems of production and dissemination. Both open source and open access face a similar problem, as it happens: neglect and obsolescence, as well as the most pernicious Achilles’ heel of the vast majority of digital humanities initiatives: long-term sust…

  • The Cambridge Companion to the Poem

    Open Access•D Attridge, Steven G Yao et al.•BOOK•Cambridge Companion to the Poem•2024

    What is a poem? What ideas about the poem as such shape how readers and audiences encounter individual poems? To explore these questions, the first section of this Companion addresses key conceptual issues, from singularity and genre to the poem's historical exchanges with the song and the novel. The second section turns to issues of form, focusing on voice, rhythm, image, sound, diction, and style. The third section considers the poem's social a…

  • Conferencing, Crisis, and the Profession

    Open Access•Christopher Adamson, Dino Franco Felluga et al.•ARTICLE•Victoriographies•2025

    This introduction frames the goal of the special issue: to rethink conferencing as a means of navigating challenges in Victorian studies and the profession more broadly. The precipitating event was EVENT 2024, a multisite, reduced-flight, and digitally interconnected conference involving five scholarly associations over the 2024 calendar year. Here, we, the three lead organisers, open by describing the conference and the two halves of this specia…

Art (5 works) · Computer Science (4 works) · Digital Humanities and Scholarship (3 works) · History (3 works) · Art history (2 works) · Digital humanities (2 works) · Humanities (2 works) · Key (lock) (2 works) · Philosophy (2 works) · Postcolonial and Cultural Literary Studies (2 works)

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