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Kathryn E Piquette

Biographic Data

ID6014395
NAMEKathryn E Piquette
GIVEN NAMESKathryn E
FAMILY NAMEPiquette
SIGNATUREPIQUETTE K E
AFFILIATIONSUniversity College London
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Libraries before Alexandria

    Open Access•Kathryn E Piquette•ARTICLE•Library & Information History•2022

  • ‘Reading’ through the body in early Egypt

    Open Access•Kathryn E Piquette•ARTICLE•Written Language & Literacy•2021

    This chapter examines the earliest writing and related marking practices from Egypt (c.3300 / c.3100–c.2750 BCE), namely graphical marks on ceramic jars and small labels of bone, ivory and wood. In contrast to research focusing on production, this material is examined here from the perspective of consumption. Whether through ‘reading’ or other forms of semantic meaning-making, the author argues that such acts were never neutral, but rather situat…

  • A history of the visualisation of the Hunters’ Palette and a tentative reconstruction of its missing part

    Stan Hendrickx, Frank Forster et al.•ARTICLE•Archéo-Nil Revue de la société…•2020

    The so-called Hunters’ Palette, one of the iconic objects of late Predynastic times, has attracted much scholarly attention since its discovery in the late 19 th century. The visualisation of the palette, which is preserved in three fragments dispersed over two museums (the British Museum and the musée du Louvre), has been a long and winding road with many poor and only a few high quality drawings and photos. This has had a strong impact on the a…

  • A Compositional Approach to a First Dynasty Inscribed Label Fragment from the Abydos Tomb Complex Ascribed to Qa′a

    Kathryn E Piquette•ARTICLE•Zeitschrift für Ägyptische…•2010

    The case study presented in this article takes a compositional approach to the reconstruction of an ivory label fragment (Ashmolean E.1262) discovered over a century ago by Flinders Petrie and his team at the Abydos tomb complex ascribed to Qa’a, the last ruler of the First Dynasty. Previous methods applied to the study of labels and other early inscribed objects and the modes used for their reproduction in printed media are discussed and critica…

  • Visual and Written Culture in Ancient Egypt

    Open Access•Kathryn E Piquette•ARTICLE•The Journal of Egyptian Archaeology•2009

No prominent works on this page.

  • Visual and Written Culture in Ancient Egypt

    Open Access•Kathryn E Piquette•ARTICLE•The Journal of Egyptian Archaeology•2009

  • A Compositional Approach to a First Dynasty Inscribed Label Fragment from the Abydos Tomb Complex Ascribed to Qa′a

    Kathryn E Piquette•ARTICLE•Zeitschrift für Ägyptische…•2010

    The case study presented in this article takes a compositional approach to the reconstruction of an ivory label fragment (Ashmolean E.1262) discovered over a century ago by Flinders Petrie and his team at the Abydos tomb complex ascribed to Qa’a, the last ruler of the First Dynasty. Previous methods applied to the study of labels and other early inscribed objects and the modes used for their reproduction in printed media are discussed and critica…

  • A history of the visualisation of the Hunters’ Palette and a tentative reconstruction of its missing part

    Stan Hendrickx, Frank Forster et al.•ARTICLE•Archéo-Nil Revue de la société…•2020

    The so-called Hunters’ Palette, one of the iconic objects of late Predynastic times, has attracted much scholarly attention since its discovery in the late 19 th century. The visualisation of the palette, which is preserved in three fragments dispersed over two museums (the British Museum and the musée du Louvre), has been a long and winding road with many poor and only a few high quality drawings and photos. This has had a strong impact on the a…

  • ‘Reading’ through the body in early Egypt

    Open Access•Kathryn E Piquette•ARTICLE•Written Language & Literacy•2021

    This chapter examines the earliest writing and related marking practices from Egypt (c.3300 / c.3100–c.2750 BCE), namely graphical marks on ceramic jars and small labels of bone, ivory and wood. In contrast to research focusing on production, this material is examined here from the perspective of consumption. Whether through ‘reading’ or other forms of semantic meaning-making, the author argues that such acts were never neutral, but rather situat…

  • Libraries before Alexandria

    Open Access•Kathryn E Piquette•ARTICLE•Library & Information History•2022

Ancient Egypt and Archaeology (4 works) · Art (4 works) · History (4 works) · Computer Science (3 works) · Visual arts (3 works) · Ancient history (2 works) · Archaeology (2 works) · Artificial Intelligence (2 works) · Aesthetics (1 work) · Algorithm (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae