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Georgia Barker

Biographic Data

ID6014440
NAMEGeorgia Barker
GIVEN NAMESGeorgia
FAMILY NAMEBarker
SIGNATUREBARKER G
AFFILIATIONSMuseum of London Archaeology
ORCID0000-0002-7135-2471
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Elite Military Representations from the First Intermediate Period and Middle Kingdom and their Historical Significance

    Georgia Barker•ARTICLE•Journal of Egyptian History•2025

    Representations of the military provide important sources of evidence for our understanding of how the instability of the civil war impacted the values and priorities of the ruling elite. This paper examines all of the known elite military wall scenes and funerary models from the First Intermediate Period and early Middle Kingdom by investigating their owners, content, and locations in the tomb. Through an innovative comparative analysis, this pa…

  • Presence and Absence of the Tomb Owner in Wall Scenes and Funerary Models

    Georgia Barker•ARTICLE•Zeitschrift für Ägyptische…•2023

    The tomb owner’s figure dominates scenes displayed on elite tomb-chapel walls, forming an essential part of the medium’s repertoire. Yet among funerary models, the tomb owner rarely appears. While the two artistic media exhibit many similarities in design, their representation of the tomb owner forms one of several distinguishing features that are rarely acknowledged. This paper examines the presence and absence of the tomb owner in wall scenes a…

  • Animate Decoration in the Burial Chamber

    Georgia Barker•ARTICLE•Journal of the American Research…•2021•Cited by: 1

    The exclusion of animate beings from the scenes displayed on the walls of Old Kingdom burial chambers has long been understood as a means to protect the deceased from any potential harm the figures might pose. Funerary models likewise depict people and animals from everyday life, yet they were included in burial chambers for a more expansive time period. This paper raises this apparent contradiction and conducts a comparative analysis of the two …

  • Animate Decoration in the Burial Chamber

    Georgia Barker•ARTICLE•Journal of the American Research…•2021•Cited by: 1

    The exclusion of animate beings from the scenes displayed on the walls of Old Kingdom burial chambers has long been understood as a means to protect the deceased from any potential harm the figures might pose. Funerary models likewise depict people and animals from everyday life, yet they were included in burial chambers for a more expansive time period. This paper raises this apparent contradiction and conducts a comparative analysis of the two …

  • Animate Decoration in the Burial Chamber

    Georgia Barker•ARTICLE•Journal of the American Research…•2021•Cited by: 1

    The exclusion of animate beings from the scenes displayed on the walls of Old Kingdom burial chambers has long been understood as a means to protect the deceased from any potential harm the figures might pose. Funerary models likewise depict people and animals from everyday life, yet they were included in burial chambers for a more expansive time period. This paper raises this apparent contradiction and conducts a comparative analysis of the two …

  • Presence and Absence of the Tomb Owner in Wall Scenes and Funerary Models

    Georgia Barker•ARTICLE•Zeitschrift für Ägyptische…•2023

    The tomb owner’s figure dominates scenes displayed on elite tomb-chapel walls, forming an essential part of the medium’s repertoire. Yet among funerary models, the tomb owner rarely appears. While the two artistic media exhibit many similarities in design, their representation of the tomb owner forms one of several distinguishing features that are rarely acknowledged. This paper examines the presence and absence of the tomb owner in wall scenes a…

  • Elite Military Representations from the First Intermediate Period and Middle Kingdom and their Historical Significance

    Georgia Barker•ARTICLE•Journal of Egyptian History•2025

    Representations of the military provide important sources of evidence for our understanding of how the instability of the civil war impacted the values and priorities of the ruling elite. This paper examines all of the known elite military wall scenes and funerary models from the First Intermediate Period and early Middle Kingdom by investigating their owners, content, and locations in the tomb. Through an innovative comparative analysis, this pa…

Ancient Egypt and Archaeology (2 works) · Art (2 works) · Elite (2 works) · Ancient history (1 work) · Ancient Near East History (1 work) · Archaeology and Historical Studies (1 work) · Art history (1 work) · Chapel (1 work) · Death, Funerary Practices, and Mourning (1 work) · Grief, Bereavement, and Mental Health (1 work)

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