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Jenny Wills

Biographic Data

ID6022758
NAMEJenny Wills
GIVEN NAMESJenny
FAMILY NAMEWills
SIGNATUREWILLS J
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2007
H-INDEX1
  • I’s Wide Shut: Examining the Depiction of Female Refugees’ Eyes and Hands in Stephen Frears’s Dirty Pretty Things

    Open Access•Jenny Heijun Wills, Jenny Wills•ARTICLE•Refuge Canada s Journal on Refuge•2007•Cited by: 1

    In 2002, Stephen Frears directed Dirty Pretty Things – one of the few mainstream fictional films to highlight the effects of exile, the complexities of refugee status, and the trials of migrant labour in the “Western” world. Thus far, the minimal number of “refugee” films produced is mirrored by the minimal discussion about those films (or their absence). This essay examines Frears’s film with a critical lens that incorporates both theoretical ev…

  • Community Alliances and the New Governance

    Open Access•Jenny Heijun Wills, Jenny Wills•ARTICLE•Australian Journal of Public…•1995•Cited by: 1

  • I’s Wide Shut: Examining the Depiction of Female Refugees’ Eyes and Hands in Stephen Frears’s Dirty Pretty Things

    Open Access•Jenny Heijun Wills, Jenny Wills•ARTICLE•Refuge Canada s Journal on Refuge•2007•Cited by: 1

    In 2002, Stephen Frears directed Dirty Pretty Things – one of the few mainstream fictional films to highlight the effects of exile, the complexities of refugee status, and the trials of migrant labour in the “Western” world. Thus far, the minimal number of “refugee” films produced is mirrored by the minimal discussion about those films (or their absence). This essay examines Frears’s film with a critical lens that incorporates both theoretical ev…

  • Community Alliances and the New Governance

    Open Access•Jenny Heijun Wills, Jenny Wills•ARTICLE•Australian Journal of Public…•1995•Cited by: 1

  • Community Alliances and the New Governance

    Open Access•Jenny Heijun Wills, Jenny Wills•ARTICLE•Australian Journal of Public…•1995•Cited by: 1

  • I’s Wide Shut: Examining the Depiction of Female Refugees’ Eyes and Hands in Stephen Frears’s Dirty Pretty Things

    Open Access•Jenny Heijun Wills, Jenny Wills•ARTICLE•Refuge Canada s Journal on Refuge•2007•Cited by: 1

    In 2002, Stephen Frears directed Dirty Pretty Things – one of the few mainstream fictional films to highlight the effects of exile, the complexities of refugee status, and the trials of migrant labour in the “Western” world. Thus far, the minimal number of “refugee” films produced is mirrored by the minimal discussion about those films (or their absence). This essay examines Frears’s film with a critical lens that incorporates both theoretical ev…

Law (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 works) · Art (1 works) · Citation (1 works) · Communication (1 works) · Communication (1 works) · Community Development and Social Impact (1 works)

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