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Michal Olszanowski

Biographic Data

ID6027775
NAMEMichal Olszanowski
GIVEN NAMESMichal
FAMILY NAMEOlszanowski
SIGNATUREOLSZANOWSKI M
AFFILIATIONSUniwersytet SWPS
ORCID0000-0003-1771-2760
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Creative Potential Peaks During Ovulation

    Open Access•Katarzyna Galasinska, Michal Olszanowski et al.•ARTICLE•The Journal of Creative Behavior•2026

    Recent studies suggest that women's divergent thinking, an indicator of creative potential, peaks during ovulation, potentially as a signal to attract mates. However, given that arousal is a key factor facilitating creative cognition, this increase may be a by‐product of general heightened arousal during ovulation. This hypothesis has not been fully explored, as most research relies on self‐reported measures of arousal, which is a significant lim…

  • Smile and the world smiles (and trusts) with you

    Open Access•Michal Olszanowski, Aleksandra Tołopiło et al.•ARTICLE•Emotion•2025

    Numerous studies have shown that the processes underlying trait judgments can be influenced by concurrent affect processing. The present project explores the role of emotional mimicry in trait attribution. Across three experiments, we asked participants to assess social characteristics of faces expressing happiness, sadness, and anger. In Experiments 1 and 3, we used facial electromyography to predict participants' inferences about trustworthines…

  • Why We Mimic Emotions Even When No One is Watching

    Open Access•Michal Olszanowski, Monika Wróbel•ARTICLE•Emotion Review•2024

    This article explores interpersonal functions of emotional mimicry under the absence versus the presence of visual contact between the interacting partners. We review relevant literature and stress that previous studies on the role of emotional mimicry were focused on imitative responses to facial displays. We also show that the rules explaining why people mimic facial expressions may be inapplicable when visual signals are unavailable (e.g., peo…

  • “Anger? No, thank you. I don't mimic it”

    Michal Olszanowski, Aleksandra Tołopiło•ARTICLE•Cognition & Emotion•2024

    Research indicates that emotional mimicry predominantly occurs in response to affiliative displays, such as happiness, while the mimicry of antagonistic displays, like anger, is seldom observed in social contexts. However, contextual factors, including the identity of the displayer (e.g. social similarity with the observer) and whose action triggered the emotional reaction (i.e. to whom display is directed), can modulate the meaning of the displa…

  • The Effect of Facial Self-Resemblance on Emotional Mimicry

    Open Access•Michal Olszanowski, Paulina Lewandowska et al.•ARTICLE•Journal of Nonverbal Behavior•2022

    Social resemblance, like group membership or similar attitudes, increases the mimicry of the observed emotional facial display. In this study, we investigate whether facial self-resemblance (manipulated by computer morphing) modulates emotional mimicry in a similar manner. Participants watched dynamic expressions of faces that either did or did not resemble their own, while their facial muscle activity was measured using EMG. Additionally, after …

  • Rear negativity

    Open Access•Natalia Frankowska, Michał Parzuchowski et al.•ARTICLE•European Journal of Social…•2020•References: 64

    Many studies have explored the evaluative effects of vertical (up/down) or horizontal (left/right) spatial locations. However, little is known about the role of information that comes from the front and back. Basing our investigations on multiple theoretical considerations, we propose that spatial location of sounds is a cue for message valence, such that a message coming from behind is interpreted as more negative than a message presented in fro…

  • Attention Dynamics During Emotion Recognition by Deaf and Hearing Individuals

    Open Access•Izabela Krejtz, Krzysztof Krejtz et al.•ARTICLE•The Journal of Deaf Studies and…•2019

    The enhancement hypothesis suggests that deaf individuals are more vigilant to visual emotional cues than hearing individuals. The present eye-tracking study examined ambient–focal visual attention when encoding affect from dynamically changing emotional facial expressions. Deaf (n = 17) and hearing (n = 17) individuals watched emotional facial expressions that in 10-s animations morphed from a neutral expression to one of happiness, sadness, or …

  • Faces in-between

    Piotr Winkielman, Michal Olszanowski et al.•ARTICLE•Emotion•2015

    Facial features influence social evaluations. For example, faces are rated as more attractive and trustworthy when they have more smiling features and also more female features. However, the influence of facial features on evaluations should be qualified by the affective consequences of fluency (cognitive ease) with which such features are processed. Further, fluency (along with its affective consequences) should depend on whether the current tas…

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  • Faces in-between

    Piotr Winkielman, Michal Olszanowski et al.•ARTICLE•Emotion•2015

    Facial features influence social evaluations. For example, faces are rated as more attractive and trustworthy when they have more smiling features and also more female features. However, the influence of facial features on evaluations should be qualified by the affective consequences of fluency (cognitive ease) with which such features are processed. Further, fluency (along with its affective consequences) should depend on whether the current tas…

  • Attention Dynamics During Emotion Recognition by Deaf and Hearing Individuals

    Open Access•Izabela Krejtz, Krzysztof Krejtz et al.•ARTICLE•The Journal of Deaf Studies and…•2019

    The enhancement hypothesis suggests that deaf individuals are more vigilant to visual emotional cues than hearing individuals. The present eye-tracking study examined ambient–focal visual attention when encoding affect from dynamically changing emotional facial expressions. Deaf (n = 17) and hearing (n = 17) individuals watched emotional facial expressions that in 10-s animations morphed from a neutral expression to one of happiness, sadness, or …

  • Rear negativity

    Open Access•Natalia Frankowska, Michał Parzuchowski et al.•ARTICLE•European Journal of Social…•2020•References: 64

    Many studies have explored the evaluative effects of vertical (up/down) or horizontal (left/right) spatial locations. However, little is known about the role of information that comes from the front and back. Basing our investigations on multiple theoretical considerations, we propose that spatial location of sounds is a cue for message valence, such that a message coming from behind is interpreted as more negative than a message presented in fro…

  • The Effect of Facial Self-Resemblance on Emotional Mimicry

    Open Access•Michal Olszanowski, Paulina Lewandowska et al.•ARTICLE•Journal of Nonverbal Behavior•2022

    Social resemblance, like group membership or similar attitudes, increases the mimicry of the observed emotional facial display. In this study, we investigate whether facial self-resemblance (manipulated by computer morphing) modulates emotional mimicry in a similar manner. Participants watched dynamic expressions of faces that either did or did not resemble their own, while their facial muscle activity was measured using EMG. Additionally, after …

  • Why We Mimic Emotions Even When No One is Watching

    Open Access•Michal Olszanowski, Monika Wróbel•ARTICLE•Emotion Review•2024

    This article explores interpersonal functions of emotional mimicry under the absence versus the presence of visual contact between the interacting partners. We review relevant literature and stress that previous studies on the role of emotional mimicry were focused on imitative responses to facial displays. We also show that the rules explaining why people mimic facial expressions may be inapplicable when visual signals are unavailable (e.g., peo…

  • “Anger? No, thank you. I don't mimic it”

    Michal Olszanowski, Aleksandra Tołopiło•ARTICLE•Cognition & Emotion•2024

    Research indicates that emotional mimicry predominantly occurs in response to affiliative displays, such as happiness, while the mimicry of antagonistic displays, like anger, is seldom observed in social contexts. However, contextual factors, including the identity of the displayer (e.g. social similarity with the observer) and whose action triggered the emotional reaction (i.e. to whom display is directed), can modulate the meaning of the displa…

  • Smile and the world smiles (and trusts) with you

    Open Access•Michal Olszanowski, Aleksandra Tołopiło et al.•ARTICLE•Emotion•2025

    Numerous studies have shown that the processes underlying trait judgments can be influenced by concurrent affect processing. The present project explores the role of emotional mimicry in trait attribution. Across three experiments, we asked participants to assess social characteristics of faces expressing happiness, sadness, and anger. In Experiments 1 and 3, we used facial electromyography to predict participants' inferences about trustworthines…

  • Creative Potential Peaks During Ovulation

    Open Access•Katarzyna Galasinska, Michal Olszanowski et al.•ARTICLE•The Journal of Creative Behavior•2026

    Recent studies suggest that women's divergent thinking, an indicator of creative potential, peaks during ovulation, potentially as a signal to attract mates. However, given that arousal is a key factor facilitating creative cognition, this increase may be a by‐product of general heightened arousal during ovulation. This hypothesis has not been fully explored, as most research relies on self‐reported measures of arousal, which is a significant lim…

Cognitive psychology (6 works) · Facial expression (6 works) · Psychology (6 works) · Social Psychology (6 works) · Communication (5 works) · Evolutionary Psychology and Human Behavior (5 works) · Face Recognition and Perception (5 works) · Happiness (5 works) · Anger (4 works) · Developmental psychology (4 works)

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