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Edward C Carterette

Biographic Data

ID603578
NAMEEdward C Carterette
GIVEN NAMESEdward C
FAMILY NAMECarterette
SIGNATURECARTERETTE E C
AFFILIATIONSUniversity of California, Los Angeles
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR1994
H-INDEX1
  • On the Tuning and Stretched Octave of Javanese Gamelans

    Edward C Carterette, Roger A Kendall•ARTICLE•Leonardo Music Journal•1994

    The authors fit five theoretical models to the frequency-scale (Hz) data reported by Surjodiningrat, Sudarjana and Susanto on individual instruments from their extensive measurements of the tunings of 76 Javanese gamelans. The exponential models fit best and perfectly in the case of either nearly equal-interval pentatonic (slendro) scales or unequal-interval heptatonic (pelog) scales. Further, relative to the (presumed) mild stretching of Western…

  • Identification and blend of timbres as a basis for orchestration

    Roger A Kendall, Edward C Carterette•ARTICLE•Contemporary Music Review•1993•Cited by: 3•References: 7

    We report on a series of experiments directed toward questions concerning the timbres of simultaneous orchestral wind instruments. Following a background exposition on instrumentation and orchestration, we discuss previous experimental research on the properties of multiple timbres. To augment and explicate previous findings, we conducted two experiments: Experiment 1 was directed at subject ratings of the blend of oboe, trumpet, clarinet, alto s…

  • Linear Prediction of Speech

    Edward C Carterette, J D Markel et al.•ARTICLE•Language•1977

  • Handbook of Perception, Vol. 5

    John M Kennedy, Edward C Carterette et al.•ARTICLE•Leonardo•1977

  • Symbol Formation. Heinz Werner , Bernard Kaplan

    Edward C Carterette•ARTICLE•International Journal of American…•1967

  • Statistical Comparison of Two Series of Graded Readers

    Open Access•Edward C Carterette, Margaret Jones et al.•ARTICLE•American Educational Research…•1965•References: 6

  • Identification and blend of timbres as a basis for orchestration

    Roger A Kendall, Edward C Carterette•ARTICLE•Contemporary Music Review•1993•Cited by: 3•References: 7

    We report on a series of experiments directed toward questions concerning the timbres of simultaneous orchestral wind instruments. Following a background exposition on instrumentation and orchestration, we discuss previous experimental research on the properties of multiple timbres. To augment and explicate previous findings, we conducted two experiments: Experiment 1 was directed at subject ratings of the blend of oboe, trumpet, clarinet, alto s…

  • Statistical Comparison of Two Series of Graded Readers

    Open Access•Edward C Carterette, Margaret Jones et al.•ARTICLE•American Educational Research…•1965•References: 6

  • Symbol Formation. Heinz Werner , Bernard Kaplan

    Edward C Carterette•ARTICLE•International Journal of American…•1967

  • Linear Prediction of Speech

    Edward C Carterette, J D Markel et al.•ARTICLE•Language•1977

  • Handbook of Perception, Vol. 5

    John M Kennedy, Edward C Carterette et al.•ARTICLE•Leonardo•1977

  • Identification and blend of timbres as a basis for orchestration

    Roger A Kendall, Edward C Carterette•ARTICLE•Contemporary Music Review•1993•Cited by: 3•References: 7

    We report on a series of experiments directed toward questions concerning the timbres of simultaneous orchestral wind instruments. Following a background exposition on instrumentation and orchestration, we discuss previous experimental research on the properties of multiple timbres. To augment and explicate previous findings, we conducted two experiments: Experiment 1 was directed at subject ratings of the blend of oboe, trumpet, clarinet, alto s…

  • On the Tuning and Stretched Octave of Javanese Gamelans

    Edward C Carterette, Roger A Kendall•ARTICLE•Leonardo Music Journal•1994

    The authors fit five theoretical models to the frequency-scale (Hz) data reported by Surjodiningrat, Sudarjana and Susanto on individual instruments from their extensive measurements of the tunings of 76 Javanese gamelans. The exponential models fit best and perfectly in the case of either nearly equal-interval pentatonic (slendro) scales or unequal-interval heptatonic (pelog) scales. Further, relative to the (presumed) mild stretching of Western…

Computer Science (6 works) · Psychology (3 works) · Acoustics (2 works) · Art (2 works) · Mathematics (2 works) · Music and Audio Processing (2 works) · Perception (2 works) · Philosophy (2 works) · Physics (2 works) · Speech recognition (2 works)

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