EMILY J ORLANDO
Biographic Data
| ID | 6041092 |
|---|---|
| NAME | EMILY J ORLANDO |
| GIVEN NAMES | EMILY J |
| FAMILY NAME | ORLANDO |
| SIGNATURE | ORLANDO E J |
| AFFILIATIONS | Fairfield University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Passionate Love-Letters to a Dead Girl: Elizabeth Siddall in Oscar Wilde's The Picture of Dorian Gray
While Oscar Wilde's attraction to Pre-Raphaelite art has been well documented, surprisingly little attention has been paid to his career-long fascination with Elizabeth Siddall (1829–62). This essay will demonstrate that Wilde's deep and abiding interest in Siddall reverberates across his only novel, The Picture of Dorian Gray (1891), to an extent that has not been considered. I will specifically argue that the suicide of Dorian Gray's lover Siby…
Edith Wharton and the New Narcissism
She stood up and, going close to the glass, examined the reflection of her bright eyes and glowing cheeks. ... She was going to know the right people at last—she was going to get what she wanted!—Edi
That I May not Faint, or Die, or Swoon”: Reviving Pre-Raphaelite Women
I would like to thank Jaime Osterman Alves, Sharon Becker, Johanna X. K. Garvey, Jill K. Karn, and Nels C. Pearson for their invaluable encouragement and support of this essay. Holl (Delaware Art Museum), Laura McLardy (Tate), Duncan Walker (Russell-Cotes Art Gallery and Museum), and Robert Upstone (Tate)
No prominent works on this page.
That I May not Faint, or Die, or Swoon”: Reviving Pre-Raphaelite Women
I would like to thank Jaime Osterman Alves, Sharon Becker, Johanna X. K. Garvey, Jill K. Karn, and Nels C. Pearson for their invaluable encouragement and support of this essay. Holl (Delaware Art Museum), Laura McLardy (Tate), Duncan Walker (Russell-Cotes Art Gallery and Museum), and Robert Upstone (Tate)
Edith Wharton and the New Narcissism
She stood up and, going close to the glass, examined the reflection of her bright eyes and glowing cheeks. ... She was going to know the right people at last—she was going to get what she wanted!—Edi
Passionate Love-Letters to a Dead Girl: Elizabeth Siddall in Oscar Wilde's The Picture of Dorian Gray
While Oscar Wilde's attraction to Pre-Raphaelite art has been well documented, surprisingly little attention has been paid to his career-long fascination with Elizabeth Siddall (1829–62). This essay will demonstrate that Wilde's deep and abiding interest in Siddall reverberates across his only novel, The Picture of Dorian Gray (1891), to an extent that has not been considered. I will specifically argue that the suicide of Dorian Gray's lover Siby…
Art (3 works) · Art history (3 works) · Literature (2 works) · Psychology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · American and British Literature Analysis (1 works) · American Literature and Culture (1 works) · Ancient history (1 works) · Archaeology (1 works)