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MONIKA ELBERT

Biographic Data

ID6041288
NAMEMONIKA ELBERT
GIVEN NAMESMONIKA
FAMILY NAMEELBERT
SIGNATUREELBERT M
AFFILIATIONSMontclair State University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS5
WORKS AS AUTHOR7
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Nathaniel Hawthorne in Context

    MONIKA ELBERT, Monika M Elbert•BOOK•Nathaniel Hawthorne in Context•2018

  • Mirrors, Sickrooms, and Dead Letters

    MONIKA ELBERT•ARTICLE•Women s Studies•2017•References: 8

    I thought of all the women’s novels that lie scattered, like small pock-marked apples in an orchard, about the second-hand book shops of London.—Virginia Woolf (74)Recently, a book missing from Wha

  • Gender Balance, Representativeness, and Statistical Power in Sexuality Research Using Undergraduate Student Samples

    Open Access•Emily R Dickinson, MONIKA ELBERT et al.•ARTICLE•Archives of Sexual Behavior•2012•Cited by: 5•References: 14

    In A Backward Glance, Wharton describes her creation of the New England landscape Ethan Frome and Summer by showing her indebtedness to sense of darkness, which she sees as a realistic appraisal of New England life, much more realistic than that of the Realist writers of her own generation. She quite emphatically disavows any allegiance to her female predecessors, Sarah Orne Jewett and Mary W. Freeman, whom she accuses of seeing New England villa…

  • Enterprising Youth

    MONIKA ELBERT•EDITOR•BOOK•Enterprising Youth•2008

  • The Surveillance of Woman's Body in Hawthorne's Short Stories

    MONIKA ELBERT•ARTICLE•Women s Studies•2004•References: 7

  • Plots and Proposals

    Karen Tracey, Karen L Tracey et al.•ARTICLE•South Atlantic Review•2002

  • Separate Spheres No More

    Hildegard Hoeller, MONIKA ELBERT•ARTICLE•South Atlantic Review•2002

    Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been ghettoized by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar conce…

  • Striking a Historical Pose

    Monika M Elbert, MONIKA ELBERT•ARTICLE•The New England Quarterly•2002

  • Gender Balance, Representativeness, and Statistical Power in Sexuality Research Using Undergraduate Student Samples

    Open Access•Emily R Dickinson, MONIKA ELBERT et al.•ARTICLE•Archives of Sexual Behavior•2012•Cited by: 5•References: 14

    In A Backward Glance, Wharton describes her creation of the New England landscape Ethan Frome and Summer by showing her indebtedness to sense of darkness, which she sees as a realistic appraisal of New England life, much more realistic than that of the Realist writers of her own generation. She quite emphatically disavows any allegiance to her female predecessors, Sarah Orne Jewett and Mary W. Freeman, whom she accuses of seeing New England villa…

  • Plots and Proposals

    Karen Tracey, Karen L Tracey et al.•ARTICLE•South Atlantic Review•2002

  • Separate Spheres No More

    Hildegard Hoeller, MONIKA ELBERT•ARTICLE•South Atlantic Review•2002

    Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been ghettoized by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar conce…

  • Striking a Historical Pose

    Monika M Elbert, MONIKA ELBERT•ARTICLE•The New England Quarterly•2002

  • The Surveillance of Woman's Body in Hawthorne's Short Stories

    MONIKA ELBERT•ARTICLE•Women s Studies•2004•References: 7

  • Enterprising Youth

    MONIKA ELBERT•EDITOR•BOOK•Enterprising Youth•2008

  • Gender Balance, Representativeness, and Statistical Power in Sexuality Research Using Undergraduate Student Samples

    Open Access•Emily R Dickinson, MONIKA ELBERT et al.•ARTICLE•Archives of Sexual Behavior•2012•Cited by: 5•References: 14

    In A Backward Glance, Wharton describes her creation of the New England landscape Ethan Frome and Summer by showing her indebtedness to sense of darkness, which she sees as a realistic appraisal of New England life, much more realistic than that of the Realist writers of her own generation. She quite emphatically disavows any allegiance to her female predecessors, Sarah Orne Jewett and Mary W. Freeman, whom she accuses of seeing New England villa…

  • Mirrors, Sickrooms, and Dead Letters

    MONIKA ELBERT•ARTICLE•Women s Studies•2017•References: 8

    I thought of all the women’s novels that lie scattered, like small pock-marked apples in an orchard, about the second-hand book shops of London.—Virginia Woolf (74)Recently, a book missing from Wha

  • Nathaniel Hawthorne in Context

    MONIKA ELBERT, Monika M Elbert•BOOK•Nathaniel Hawthorne in Context•2018

History (6 works) · American and British Literature Analysis (5 works) · Art (5 works) · Art history (4 works) · Literature: history, themes, analysis (4 works) · Literature (3 works) · Psychology (3 works) · American Literature and Culture (2 works) · Cultural Studies and Interdisciplinary Research (2 works) · Hawthorne effect (2 works)

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