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Valerie A Briginshaw

Biographic Data

ID6042360
NAMEValerie A Briginshaw
GIVEN NAMESValerie A
FAMILY NAMEBriginshaw
SIGNATUREBRIGINSHAW V A
AFFILIATIONSChichester College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Dance, Space and Subjectivity

    Valerie A Briginshaw, V Briginshaw•BOOK•Dance, Space and Subjectivity•2016

  • Travel Metaphors in Dance — Gendered Constructions of Travel, Spaces and Subjects

    Open Access•Valerie A Briginshaw•CHAPTER•Dance, Space and Subjectivity•2009

    In the next three chapters, dances set in mainly outdoor spaces are examined, focusing on the ways in which the physical spaces of their location can be seen to be constructed in part by the dances, and in turn can contribute to constructions of the dancing subjects. The role gender plays in these constructions is a focus. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as …

  • Performance and Politics

    Valerie A Briginshaw, Jill Dolan et al.•ARTICLE•Dance Research•2004

  • Response to Gay Morris's review of Dance, Space and Subjectivity

    Open Access•Valerie A Briginshaw•ARTICLE•Dance Research•2003

  • Dance, Space and Subjectivity

    Gay Morris, Valerie A Briginshaw•ARTICLE•Dance Research•2002

    This thesis has been completed as a requirement for a higher degree of the University of Southampton Thisthesis, by examining relationships between dancing bodies and space, argues that postmodern dance can challenge traditional representations of subjectivity and suggest alternatives.Through close readings of postmodern dances, informed by current critical theory, constructions of subjectivity are explored.The limits and extent of subjectivity a…

  • I. The Open Mesh of Possibilities

    Open Access•Valerie A Briginshaw•ARTICLE•Dance Research Journal•2002

  • Choreographing Difference

    Valerie A Briginshaw•ARTICLE•Signs: Journal of Women in…•2000

  • Study of Dance Conference 4—Choreography

    Open Access•Valerie A Briginshaw•ARTICLE•Dance Research Journal•1987

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Giriama and Digo dance styles

    Open Access•Valerie A Briginshaw•ARTICLE•African Music Journal of the…•1987

    It is often said in Kenya that people living on the Kenyan coast †̃really know how to danceâ€TM and †̃their dances are really important to themâ€TM. These statements refer to the dancing of the Giriama and Digo peoples. They inhabit the Kenyan coastal strip from Malindi in the North, to the Tanzanian border in the South; the Giriama living to the North of Mombasa and the Digo to the South

No prominent works on this page.

  • Study of Dance Conference 4—Choreography

    Open Access•Valerie A Briginshaw•ARTICLE•Dance Research Journal•1987

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Giriama and Digo dance styles

    Open Access•Valerie A Briginshaw•ARTICLE•African Music Journal of the…•1987

    It is often said in Kenya that people living on the Kenyan coast †̃really know how to danceâ€TM and †̃their dances are really important to themâ€TM. These statements refer to the dancing of the Giriama and Digo peoples. They inhabit the Kenyan coastal strip from Malindi in the North, to the Tanzanian border in the South; the Giriama living to the North of Mombasa and the Digo to the South

  • Choreographing Difference

    Valerie A Briginshaw•ARTICLE•Signs: Journal of Women in…•2000

  • Dance, Space and Subjectivity

    Gay Morris, Valerie A Briginshaw•ARTICLE•Dance Research•2002

    This thesis has been completed as a requirement for a higher degree of the University of Southampton Thisthesis, by examining relationships between dancing bodies and space, argues that postmodern dance can challenge traditional representations of subjectivity and suggest alternatives.Through close readings of postmodern dances, informed by current critical theory, constructions of subjectivity are explored.The limits and extent of subjectivity a…

  • I. The Open Mesh of Possibilities

    Open Access•Valerie A Briginshaw•ARTICLE•Dance Research Journal•2002

  • Response to Gay Morris's review of Dance, Space and Subjectivity

    Open Access•Valerie A Briginshaw•ARTICLE•Dance Research•2003

  • Performance and Politics

    Valerie A Briginshaw, Jill Dolan et al.•ARTICLE•Dance Research•2004

  • Travel Metaphors in Dance — Gendered Constructions of Travel, Spaces and Subjects

    Open Access•Valerie A Briginshaw•CHAPTER•Dance, Space and Subjectivity•2009

    In the next three chapters, dances set in mainly outdoor spaces are examined, focusing on the ways in which the physical spaces of their location can be seen to be constructed in part by the dances, and in turn can contribute to constructions of the dancing subjects. The role gender plays in these constructions is a focus. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as …

  • Dance, Space and Subjectivity

    Valerie A Briginshaw, V Briginshaw•BOOK•Dance, Space and Subjectivity•2016

Art (9 works) · Visual arts (8 works) · Dance (7 works) · Diversity and Impact of Dance (5 works) · Aesthetics (4 works) · Computer Science (4 works) · Art history (3 works) · Epistemology (3 works) · Philosophy (3 works) · Sociology (3 works)

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