D A Hardy
Biographic Data
| ID | 6044136 |
|---|---|
| NAME | D A Hardy |
| GIVEN NAMES | D A |
| FAMILY NAME | Hardy |
| SIGNATURE | HARDY D A |
| ORCID | 0000-0001-7782-2414 |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1964 |
| LATEST PUBLICATION YEAR | 1982 |
| H-INDEX | 1 |
Bound for the Stars
Scientific Illustration: A Guide to Biological, Zoological, and Medical Rendering Techniques, Design, Printing and Display
The Universe: Its Beginning and End
The New Challenge of the Stars
The High Frontier: Human Colonies in Space
L'Art de la science fiction 1926-1954
One Hundred Years of Science Fiction Illustration, 1840-1940
Painting and Science Fiction
Painting: The Impact of Astronautics and Science Fiction on My Work
The author presents the main lines of his work since 1952 as a painter of pictures dealing with astronautical and astronomical subjects. The contents of several of his pictures are discussed. He points out the distinction that he recognizes between ‘space age’ art and science fiction art—primarily that in the former fewer liberties are taken with knowledge available on a subject depicted. Since about 1970 he also has made paintings of a science f…
Suggested Changes in the Troizen Inscription
Total success in establishing a text for such a defaced document as the alleged decree of Themistokles can hardly be expected. The left half of the inscribed surface is so deeply scratched as to resemble a butcher's chopping block. There are so many scars, running in so many directions, that it is easy to imagine letters where we can be sure that none exists. For example, in line 8, but much below the inscribed surface, there are four strokes whi…
Painting: The Impact of Astronautics and Science Fiction on My Work
The author presents the main lines of his work since 1952 as a painter of pictures dealing with astronautical and astronomical subjects. The contents of several of his pictures are discussed. He points out the distinction that he recognizes between ‘space age’ art and science fiction art—primarily that in the former fewer liberties are taken with knowledge available on a subject depicted. Since about 1970 he also has made paintings of a science f…
Suggested Changes in the Troizen Inscription
Total success in establishing a text for such a defaced document as the alleged decree of Themistokles can hardly be expected. The left half of the inscribed surface is so deeply scratched as to resemble a butcher's chopping block. There are so many scars, running in so many directions, that it is easy to imagine letters where we can be sure that none exists. For example, in line 8, but much below the inscribed surface, there are four strokes whi…
Painting and Science Fiction
Painting: The Impact of Astronautics and Science Fiction on My Work
The author presents the main lines of his work since 1952 as a painter of pictures dealing with astronautical and astronomical subjects. The contents of several of his pictures are discussed. He points out the distinction that he recognizes between ‘space age’ art and science fiction art—primarily that in the former fewer liberties are taken with knowledge available on a subject depicted. Since about 1970 he also has made paintings of a science f…
L'Art de la science fiction 1926-1954
One Hundred Years of Science Fiction Illustration, 1840-1940
The Universe: Its Beginning and End
The New Challenge of the Stars
The High Frontier: Human Colonies in Space
Scientific Illustration: A Guide to Biological, Zoological, and Medical Rendering Techniques, Design, Printing and Display
Bound for the Stars
Art (7 works) · Art history (5 works) · Visual arts (5 works) · Computer Science (4 works) · Astronomy (3 works) · History (3 works) · Physics (3 works) · Utopian, Dystopian, and Speculative Fiction (3 works) · Archaeology (2 works) · Art, Technology, and Culture (2 works)