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Louis Cellauro

Biographic Data

ID6044627
NAMELouis Cellauro
GIVEN NAMESLouis
FAMILY NAMECellauro
SIGNATURECELLAURO L
AFFILIATIONSUniversity of Zurich
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2019
H-INDEX1
  • In Quest of Comfort

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•2019•References: 16

    Lodoli's subversive doctrine of truth-to-material was the most original and influential aspect of his approach to architecture. His concept of organic architecture, the main focus of this paper, has been less studied and is accordingly less well understood, although it was an important facet of his design theory. Lodoli applied his novel approach most obviously to the design of furnishings, particularly of chairs, but also extended it to architec…

  • I n search of a setting for learning in R oman antiquity

    Open Access•Louis Cellauro•ARTICLE•Renaissance Studies•2015

    It has usually been supposed that drawings by G iuliano da S angallo and F rancesco di G iorgio of an ancient structure at C asinum (modern C assino) were then thought to show elements of V arro's villa. I n this article it is argued that during the Renaissance the structure in question was more specifically identified as V arro's study or museum; and it was for this reason that it was used as a source for the O deo C ornaro at P adua, a building…

  • Daniele Barbaro and Vitruvius

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•2004•References: 7

    DANIELE BARBARO E VITRUVIO: LA TEORIA ARCHITETTONICA DI UN UMANISTA E PATRONO DEL RINASCIMENTO L'aristocratico veneziano Daniele Barbaro (1514–70), collezionista d'arte, di libri e di strumenti matematici, fu un importante patrono delle artie delle scienze della Venezia del XVI secolo. La sua pubblicazione più imponente e significativa fu la traduzione commentata del De Architectura Libri Decem di Vitruvio. Lo scopo di questo articolo è quello di…

  • The Casino of Pius IV in the Vatican

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•1995•Cited by: 2•References: 11

    IL CASINO DI PIO IV AL VATICANO Il Casino di Pio IV nei Giardini Vaticani fu progettata dall'antiquario Pirro Ligorio (c. 1531–83), uno degli archeologici classici più competenti del sedicesimo secolo. In considerazione dell'attività di Ligorio sia come antiquario che come archeologo, sono spesso stati sottolineati paralleli tra il Casino di Pio IV e l'architettura classica, fin dal diciottesimo secolo. Comunque, tentativi di associare il Casino …

  • Vitruvius revisited

    Open Access•Louis Cellauro•ARTICLE•Acta ad archaeologiam et artium…•1970

    This contribution examines Palladio's relation to Vitruvius with regard to the canonical orders: the Tuscan, Doric, Ionic, and Corinthian. Palladio became acquainted with Vitruvius Through his first mentor, Gian Giorgio Trissino, who had founded an academy. in the first book of I quattro libri dell'architettura Palladio repeatedly refers to Vitruvius. However, like most Renaissance architects, Palladio also studied the existing remains of Roman a…

  • Palladio and Vitruvius

    Open Access•Louis Cellauro•ARTICLE•Acta ad archaeologiam et artium…•1970

    After a short preamble on the history of the text of Vitruvius during the Renaissance and Palladio's encounter with it, this paper assesses the Vitruvian legacy in Palladio's treatise, in focusing more particularly on its composition, style, and vocabulary and leaving other aspects of this Vitruvianism, such as his architectural theory and the five canonical orders, for consideration in subsequent publications. The discussion on composition conce…

  • The Casino of Pius IV in the Vatican

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•1995•Cited by: 2•References: 11

    IL CASINO DI PIO IV AL VATICANO Il Casino di Pio IV nei Giardini Vaticani fu progettata dall'antiquario Pirro Ligorio (c. 1531–83), uno degli archeologici classici più competenti del sedicesimo secolo. In considerazione dell'attività di Ligorio sia come antiquario che come archeologo, sono spesso stati sottolineati paralleli tra il Casino di Pio IV e l'architettura classica, fin dal diciottesimo secolo. Comunque, tentativi di associare il Casino …

  • Vitruvius revisited

    Open Access•Louis Cellauro•ARTICLE•Acta ad archaeologiam et artium…•1970

    This contribution examines Palladio's relation to Vitruvius with regard to the canonical orders: the Tuscan, Doric, Ionic, and Corinthian. Palladio became acquainted with Vitruvius Through his first mentor, Gian Giorgio Trissino, who had founded an academy. in the first book of I quattro libri dell'architettura Palladio repeatedly refers to Vitruvius. However, like most Renaissance architects, Palladio also studied the existing remains of Roman a…

  • Palladio and Vitruvius

    Open Access•Louis Cellauro•ARTICLE•Acta ad archaeologiam et artium…•1970

    After a short preamble on the history of the text of Vitruvius during the Renaissance and Palladio's encounter with it, this paper assesses the Vitruvian legacy in Palladio's treatise, in focusing more particularly on its composition, style, and vocabulary and leaving other aspects of this Vitruvianism, such as his architectural theory and the five canonical orders, for consideration in subsequent publications. The discussion on composition conce…

  • The Casino of Pius IV in the Vatican

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•1995•Cited by: 2•References: 11

    IL CASINO DI PIO IV AL VATICANO Il Casino di Pio IV nei Giardini Vaticani fu progettata dall'antiquario Pirro Ligorio (c. 1531–83), uno degli archeologici classici più competenti del sedicesimo secolo. In considerazione dell'attività di Ligorio sia come antiquario che come archeologo, sono spesso stati sottolineati paralleli tra il Casino di Pio IV e l'architettura classica, fin dal diciottesimo secolo. Comunque, tentativi di associare il Casino …

  • Daniele Barbaro and Vitruvius

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•2004•References: 7

    DANIELE BARBARO E VITRUVIO: LA TEORIA ARCHITETTONICA DI UN UMANISTA E PATRONO DEL RINASCIMENTO L'aristocratico veneziano Daniele Barbaro (1514–70), collezionista d'arte, di libri e di strumenti matematici, fu un importante patrono delle artie delle scienze della Venezia del XVI secolo. La sua pubblicazione più imponente e significativa fu la traduzione commentata del De Architectura Libri Decem di Vitruvio. Lo scopo di questo articolo è quello di…

  • I n search of a setting for learning in R oman antiquity

    Open Access•Louis Cellauro•ARTICLE•Renaissance Studies•2015

    It has usually been supposed that drawings by G iuliano da S angallo and F rancesco di G iorgio of an ancient structure at C asinum (modern C assino) were then thought to show elements of V arro's villa. I n this article it is argued that during the Renaissance the structure in question was more specifically identified as V arro's study or museum; and it was for this reason that it was used as a source for the O deo C ornaro at P adua, a building…

  • In Quest of Comfort

    Open Access•Louis Cellauro•ARTICLE•Papers of the British School at…•2019•References: 16

    Lodoli's subversive doctrine of truth-to-material was the most original and influential aspect of his approach to architecture. His concept of organic architecture, the main focus of this paper, has been less studied and is accordingly less well understood, although it was an important facet of his design theory. Lodoli applied his novel approach most obviously to the design of furnishings, particularly of chairs, but also extended it to architec…

Art (6 works) · Art history (4 works) · The Renaissance (4 works) · Archaeological Research and Protection (3 works) · Architecture and Art History Studies (3 works) · Classics (3 works) · Philosophy (3 works) · Architecture (2 works) · Architecture (2 works) · Computer Science (2 works)

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