Louis Cellauro
Biographic Data
| ID | 6044627 |
|---|---|
| NAME | Louis Cellauro |
| GIVEN NAMES | Louis |
| FAMILY NAME | Cellauro |
| SIGNATURE | CELLAURO L |
| AFFILIATIONS | University of Zurich |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
In Quest of Comfort
Lodoli's subversive doctrine of truth-to-material was the most original and influential aspect of his approach to architecture. His concept of organic architecture, the main focus of this paper, has been less studied and is accordingly less well understood, although it was an important facet of his design theory. Lodoli applied his novel approach most obviously to the design of furnishings, particularly of chairs, but also extended it to architec…
I n search of a setting for learning in R oman antiquity
It has usually been supposed that drawings by G iuliano da S angallo and F rancesco di G iorgio of an ancient structure at C asinum (modern C assino) were then thought to show elements of V arro's villa. I n this article it is argued that during the Renaissance the structure in question was more specifically identified as V arro's study or museum; and it was for this reason that it was used as a source for the O deo C ornaro at P adua, a building…
Daniele Barbaro and Vitruvius
DANIELE BARBARO E VITRUVIO: LA TEORIA ARCHITETTONICA DI UN UMANISTA E PATRONO DEL RINASCIMENTO L'aristocratico veneziano Daniele Barbaro (1514–70), collezionista d'arte, di libri e di strumenti matematici, fu un importante patrono delle artie delle scienze della Venezia del XVI secolo. La sua pubblicazione più imponente e significativa fu la traduzione commentata del De Architectura Libri Decem di Vitruvio. Lo scopo di questo articolo è quello di…
The Casino of Pius IV in the Vatican
IL CASINO DI PIO IV AL VATICANO Il Casino di Pio IV nei Giardini Vaticani fu progettata dall'antiquario Pirro Ligorio (c. 1531–83), uno degli archeologici classici più competenti del sedicesimo secolo. In considerazione dell'attività di Ligorio sia come antiquario che come archeologo, sono spesso stati sottolineati paralleli tra il Casino di Pio IV e l'architettura classica, fin dal diciottesimo secolo. Comunque, tentativi di associare il Casino …
Vitruvius revisited
This contribution examines Palladio's relation to Vitruvius with regard to the canonical orders: the Tuscan, Doric, Ionic, and Corinthian. Palladio became acquainted with Vitruvius Through his first mentor, Gian Giorgio Trissino, who had founded an academy. in the first book of I quattro libri dell'architettura Palladio repeatedly refers to Vitruvius. However, like most Renaissance architects, Palladio also studied the existing remains of Roman a…
Palladio and Vitruvius
After a short preamble on the history of the text of Vitruvius during the Renaissance and Palladio's encounter with it, this paper assesses the Vitruvian legacy in Palladio's treatise, in focusing more particularly on its composition, style, and vocabulary and leaving other aspects of this Vitruvianism, such as his architectural theory and the five canonical orders, for consideration in subsequent publications. The discussion on composition conce…
The Casino of Pius IV in the Vatican
IL CASINO DI PIO IV AL VATICANO Il Casino di Pio IV nei Giardini Vaticani fu progettata dall'antiquario Pirro Ligorio (c. 1531–83), uno degli archeologici classici più competenti del sedicesimo secolo. In considerazione dell'attività di Ligorio sia come antiquario che come archeologo, sono spesso stati sottolineati paralleli tra il Casino di Pio IV e l'architettura classica, fin dal diciottesimo secolo. Comunque, tentativi di associare il Casino …
Vitruvius revisited
This contribution examines Palladio's relation to Vitruvius with regard to the canonical orders: the Tuscan, Doric, Ionic, and Corinthian. Palladio became acquainted with Vitruvius Through his first mentor, Gian Giorgio Trissino, who had founded an academy. in the first book of I quattro libri dell'architettura Palladio repeatedly refers to Vitruvius. However, like most Renaissance architects, Palladio also studied the existing remains of Roman a…
Palladio and Vitruvius
After a short preamble on the history of the text of Vitruvius during the Renaissance and Palladio's encounter with it, this paper assesses the Vitruvian legacy in Palladio's treatise, in focusing more particularly on its composition, style, and vocabulary and leaving other aspects of this Vitruvianism, such as his architectural theory and the five canonical orders, for consideration in subsequent publications. The discussion on composition conce…
The Casino of Pius IV in the Vatican
IL CASINO DI PIO IV AL VATICANO Il Casino di Pio IV nei Giardini Vaticani fu progettata dall'antiquario Pirro Ligorio (c. 1531–83), uno degli archeologici classici più competenti del sedicesimo secolo. In considerazione dell'attività di Ligorio sia come antiquario che come archeologo, sono spesso stati sottolineati paralleli tra il Casino di Pio IV e l'architettura classica, fin dal diciottesimo secolo. Comunque, tentativi di associare il Casino …
Daniele Barbaro and Vitruvius
DANIELE BARBARO E VITRUVIO: LA TEORIA ARCHITETTONICA DI UN UMANISTA E PATRONO DEL RINASCIMENTO L'aristocratico veneziano Daniele Barbaro (1514–70), collezionista d'arte, di libri e di strumenti matematici, fu un importante patrono delle artie delle scienze della Venezia del XVI secolo. La sua pubblicazione più imponente e significativa fu la traduzione commentata del De Architectura Libri Decem di Vitruvio. Lo scopo di questo articolo è quello di…
I n search of a setting for learning in R oman antiquity
It has usually been supposed that drawings by G iuliano da S angallo and F rancesco di G iorgio of an ancient structure at C asinum (modern C assino) were then thought to show elements of V arro's villa. I n this article it is argued that during the Renaissance the structure in question was more specifically identified as V arro's study or museum; and it was for this reason that it was used as a source for the O deo C ornaro at P adua, a building…
In Quest of Comfort
Lodoli's subversive doctrine of truth-to-material was the most original and influential aspect of his approach to architecture. His concept of organic architecture, the main focus of this paper, has been less studied and is accordingly less well understood, although it was an important facet of his design theory. Lodoli applied his novel approach most obviously to the design of furnishings, particularly of chairs, but also extended it to architec…
Art (6 works) · Art history (4 works) · The Renaissance (4 works) · Archaeological Research and Protection (3 works) · Architecture and Art History Studies (3 works) · Classics (3 works) · Philosophy (3 works) · Architecture (2 works) · Architecture (2 works) · Computer Science (2 works)