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Angelina C Yee

Biographic Data

ID6045841
NAMEAngelina C Yee
GIVEN NAMESAngelina C
FAMILY NAMEYee
SIGNATUREYEE A C
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS6
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2001
H-INDEX1
  • War, Occupation, and Creativity: Japan and East Asia, 1920-1960

    Haruko Taya Cook, Kyoko Hirano et al.•BOOK•War, Occupation, and Creativity•2001

    This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive f…

  • Constructing a Native Consciousness: Taiwan Literature in the 20th Century

    Open Access•Angelina C Yee•ARTICLE•The China Quarterly•2001•Cited by: 4

    Few notions in the contemporary world elicit such public demonstration and widespread passion as that of the nation. Even at the end of the 20th century, national conflagrations from Kosovo to East Timor still seize headlines from global treaties and space explorations. While scholars argue that the nation is intersubjectively imagined, discursively produced, and “narrated” and “performed” out of shreds and fragments, the notion, far from being a…

  • Writing the Colonial Self: Yang Kui's Texts of Resistance and National Identity

    Angelina C Yee, Angelina C C Yee•ARTICLE•Chinese Literature Essays…•1995

    That the literature of Taiwan under Japanese occupation has been shunned by the canons of literary history should surprise no one. It was a shameful page in Chinese history, one that few can look upon with equanimity. Much of the literature of that period was written in Japanese by a people whose nationhood was held hostage, and, from a chauvinist standpoint, ill-fits the traditional categories of national literatures. In an age when art and poli…

  • Self, Sexuality, and Writing in Honglou meng

    Angelina C Yee, Angelina C C Yee•ARTICLE•Harvard Journal of Asiatic Studies•1995•Cited by: 1

    THE success of Honglou meng in portraying a galaxy of characters, in depicting a panorama of aristocratic life, and in interweaving a wealth of puns, riddles, conundrums, and poems into the prose narrative accounts in part for the reasons why the early readers, accustomed to a political culture of literary persecution and textual resistance, tended to interpret the novel as a roman 'a clef. With the discovery of various manuscripts laden with ann…

  • Counterpoise in Honglou meng

    Angelina C Yee•ARTICLE•Harvard Journal of Asiatic Studies•1990•Cited by: 1

    THAT many of the characters in Honglou meng are conceived in pairs, whether as opposites, doubles, or mutual complements, is immediately obvious even to the most casual reader: the Buddhist monk and the Taoist priest, the Divine Luminescent Stone-inWaiting and the Crimson Pearl Flower, Zhen Shi-yin and Jia Yucun, Zhen Bao-yu andJia Bao-yu, Dai-yu and Bao-chai, and so on, are all introduced in tandem. Such coupling is not confined to the presentat…

  • Constructing a Native Consciousness: Taiwan Literature in the 20th Century

    Open Access•Angelina C Yee•ARTICLE•The China Quarterly•2001•Cited by: 4

    Few notions in the contemporary world elicit such public demonstration and widespread passion as that of the nation. Even at the end of the 20th century, national conflagrations from Kosovo to East Timor still seize headlines from global treaties and space explorations. While scholars argue that the nation is intersubjectively imagined, discursively produced, and “narrated” and “performed” out of shreds and fragments, the notion, far from being a…

  • Self, Sexuality, and Writing in Honglou meng

    Angelina C Yee, Angelina C C Yee•ARTICLE•Harvard Journal of Asiatic Studies•1995•Cited by: 1

    THE success of Honglou meng in portraying a galaxy of characters, in depicting a panorama of aristocratic life, and in interweaving a wealth of puns, riddles, conundrums, and poems into the prose narrative accounts in part for the reasons why the early readers, accustomed to a political culture of literary persecution and textual resistance, tended to interpret the novel as a roman 'a clef. With the discovery of various manuscripts laden with ann…

  • Counterpoise in Honglou meng

    Angelina C Yee•ARTICLE•Harvard Journal of Asiatic Studies•1990•Cited by: 1

    THAT many of the characters in Honglou meng are conceived in pairs, whether as opposites, doubles, or mutual complements, is immediately obvious even to the most casual reader: the Buddhist monk and the Taoist priest, the Divine Luminescent Stone-inWaiting and the Crimson Pearl Flower, Zhen Shi-yin and Jia Yucun, Zhen Bao-yu andJia Bao-yu, Dai-yu and Bao-chai, and so on, are all introduced in tandem. Such coupling is not confined to the presentat…

  • Counterpoise in Honglou meng

    Angelina C Yee•ARTICLE•Harvard Journal of Asiatic Studies•1990•Cited by: 1

    THAT many of the characters in Honglou meng are conceived in pairs, whether as opposites, doubles, or mutual complements, is immediately obvious even to the most casual reader: the Buddhist monk and the Taoist priest, the Divine Luminescent Stone-inWaiting and the Crimson Pearl Flower, Zhen Shi-yin and Jia Yucun, Zhen Bao-yu andJia Bao-yu, Dai-yu and Bao-chai, and so on, are all introduced in tandem. Such coupling is not confined to the presentat…

  • Writing the Colonial Self: Yang Kui's Texts of Resistance and National Identity

    Angelina C Yee, Angelina C C Yee•ARTICLE•Chinese Literature Essays…•1995

    That the literature of Taiwan under Japanese occupation has been shunned by the canons of literary history should surprise no one. It was a shameful page in Chinese history, one that few can look upon with equanimity. Much of the literature of that period was written in Japanese by a people whose nationhood was held hostage, and, from a chauvinist standpoint, ill-fits the traditional categories of national literatures. In an age when art and poli…

  • Self, Sexuality, and Writing in Honglou meng

    Angelina C Yee, Angelina C C Yee•ARTICLE•Harvard Journal of Asiatic Studies•1995•Cited by: 1

    THE success of Honglou meng in portraying a galaxy of characters, in depicting a panorama of aristocratic life, and in interweaving a wealth of puns, riddles, conundrums, and poems into the prose narrative accounts in part for the reasons why the early readers, accustomed to a political culture of literary persecution and textual resistance, tended to interpret the novel as a roman 'a clef. With the discovery of various manuscripts laden with ann…

  • War, Occupation, and Creativity: Japan and East Asia, 1920-1960

    Haruko Taya Cook, Kyoko Hirano et al.•BOOK•War, Occupation, and Creativity•2001

    This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive f…

  • Constructing a Native Consciousness: Taiwan Literature in the 20th Century

    Open Access•Angelina C Yee•ARTICLE•The China Quarterly•2001•Cited by: 4

    Few notions in the contemporary world elicit such public demonstration and widespread passion as that of the nation. Even at the end of the 20th century, national conflagrations from Kosovo to East Timor still seize headlines from global treaties and space explorations. While scholars argue that the nation is intersubjectively imagined, discursively produced, and “narrated” and “performed” out of shreds and fragments, the notion, far from being a…

Japanese History and Culture (4 works) · Art (3 works) · Asian Culture and Media Studies (3 works) · History (3 works) · Literature (3 works) · Psychology (3 works) · Sociology (3 works) · Archaeology (2 works) · Chinese history and philosophy (2 works) · History (2 works)

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