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Imogen Smith

Biographic Data

ID6047736
NAMEImogen Smith
GIVEN NAMESImogen
FAMILY NAMESmith
SIGNATURESMITH I
AFFILIATIONSQueensland University of Technology
ORCID0000-0002-2089-0552
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1912
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Writing trust in the age of generative AI

    Open Access•Imogen Smith•ARTICLE•Media International Australia•2026

    This article examines how English-language cycling magazines rhetorically negotiate generative AI. Drawing on interpretive rhetorical analysis of purposively selected, publicly accessible reader-facing materials, it argues that AI poses a distinctive challenge because the authority of special interest magazines depends on recognisable human authorship, embodied expertise and reader trust. It develops the ‘slow middle’ as a conceptual framework fo…

  • The mobile 3D digitisation lab

    Open Access•Imogen Smith, David Pyle et al.•ARTICLE•Digital Applications in…•2026

    Australia’s cultural and scientific collections hold millions of artefacts that remain undigitised due to the prohibitive cost, time, and immobility of current 3D capture systems. To address these barriers, the Mobile 3D Digitisation Lab (M3DL) was developed under an Australian Research Council LIEF (Linkage, Infrastructure, Equipment and Facilities) grant (LE250100024). In 2025, the research team developed a transportable, multi-camera photogram…

  • The Dance Heritage Coalition

    Imogen Smith•ARTICLE•Dance Chronicle•2012•Cited by: 1

    Dance, an art that Merce Cunningham described as “impermanent as breathing,” faces greater challenges than any other in the establishment and preservation of its heritage. * Furthermore, dance rema

  • False Names, Demonstratives and the Refutation of Linguistic Naturalism in Plato's Cratylus 427d1-431c3

    Imogen Smith•ARTICLE•Phronesis•2008

    This paper offers an interpretation of Plato's Cratylus 427d1-431c3 that supports a reading of the dialogue as a whole as concluding in favour of a conventionalist account of naming. While many previous interpretations note the value of this passage as evidence for Platonic investigations of false propositions, this paper argues that its demonstration that there can be false (or incorrect) naming in turn refutes the naturalist account of naming; …

  • Extra Supplement

    Herbert Oakeley, I Gregory Smith et al.•ARTICLE•The Musical Times•1912

    sendeth the springs Wareing 4d

  • The Dance Heritage Coalition

    Imogen Smith•ARTICLE•Dance Chronicle•2012•Cited by: 1

    Dance, an art that Merce Cunningham described as “impermanent as breathing,” faces greater challenges than any other in the establishment and preservation of its heritage. * Furthermore, dance rema

  • Extra Supplement

    Herbert Oakeley, I Gregory Smith et al.•ARTICLE•The Musical Times•1912

    sendeth the springs Wareing 4d

  • False Names, Demonstratives and the Refutation of Linguistic Naturalism in Plato's Cratylus 427d1-431c3

    Imogen Smith•ARTICLE•Phronesis•2008

    This paper offers an interpretation of Plato's Cratylus 427d1-431c3 that supports a reading of the dialogue as a whole as concluding in favour of a conventionalist account of naming. While many previous interpretations note the value of this passage as evidence for Platonic investigations of false propositions, this paper argues that its demonstration that there can be false (or incorrect) naming in turn refutes the naturalist account of naming; …

  • The Dance Heritage Coalition

    Imogen Smith•ARTICLE•Dance Chronicle•2012•Cited by: 1

    Dance, an art that Merce Cunningham described as “impermanent as breathing,” faces greater challenges than any other in the establishment and preservation of its heritage. * Furthermore, dance rema

  • Writing trust in the age of generative AI

    Open Access•Imogen Smith•ARTICLE•Media International Australia•2026

    This article examines how English-language cycling magazines rhetorically negotiate generative AI. Drawing on interpretive rhetorical analysis of purposively selected, publicly accessible reader-facing materials, it argues that AI poses a distinctive challenge because the authority of special interest magazines depends on recognisable human authorship, embodied expertise and reader trust. It develops the ‘slow middle’ as a conceptual framework fo…

  • The mobile 3D digitisation lab

    Open Access•Imogen Smith, David Pyle et al.•ARTICLE•Digital Applications in…•2026

    Australia’s cultural and scientific collections hold millions of artefacts that remain undigitised due to the prohibitive cost, time, and immobility of current 3D capture systems. To address these barriers, the Mobile 3D Digitisation Lab (M3DL) was developed under an Australian Research Council LIEF (Linkage, Infrastructure, Equipment and Facilities) grant (LE250100024). In 2025, the research team developed a transportable, multi-camera photogram…

Art (2 works) · Philosophy (2 works) · 3d model (1 work) · 3D Surveying and Cultural Heritage (1 work) · Aesthetics (1 work) · AI disclosure (1 work) · Ancient philosophy (1 work) · Art history (1 work) · Astronomy (1 work) · Automatic identification and data capture (1 work)

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