FRANCISCO GIRELLI
Biographic Data
| ID | 6049678 |
|---|---|
| NAME | FRANCISCO GIRELLI |
| GIVEN NAMES | FRANCISCO |
| FAMILY NAME | GIRELLI |
| SIGNATURE | GIRELLI F |
| AFFILIATIONS | Urbana University |
| ORCID | 0000-0002-5532-4059 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Pilastras Picadas Y Rejas Voladas
El presente trabajo analiza el impacto que tuvo la aplicación de la normativa edilicia del periodo posindependentista, en el proceso de desaparición de la arquitectura colonial de Buenos Aires durante la primera mitad del siglo XIX. La prohibición de salientes en la planta baja de las fachadas fue aplicada en forma excepcional en lo que respecta al derecho privado, ya que operó con retroactividad sobre la arquitectura preexistente: todas las cons…
Blood Red
Azulejos neo-árabes en la arquitectura de Buenos Aires (1920–1950)
The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s majo…
China-ware in the skies’
This is the study of a church where tableware manufactured in Great Britain was used to decorate the façade in the early 19th century. An argument is made that this one surviving case points to a larger regional tradition, now lost, whose greatest exponent was Montevideo Cathedral, Uruguay. The hypothesis presented here is that the use of British plates in religious façades shortly before the South American Wars of Independence was part of a sear…
No prominent works on this page.
China-ware in the skies’
This is the study of a church where tableware manufactured in Great Britain was used to decorate the façade in the early 19th century. An argument is made that this one surviving case points to a larger regional tradition, now lost, whose greatest exponent was Montevideo Cathedral, Uruguay. The hypothesis presented here is that the use of British plates in religious façades shortly before the South American Wars of Independence was part of a sear…
Azulejos neo-árabes en la arquitectura de Buenos Aires (1920–1950)
The architectural forms associated with the aesthetic phenomenon that has come to be known as mudéjar and visual elements tied to Iberian and Islamic architectural traditions more broadly have been interpreted across modern Latin America in various modes. A wide array of buildings spanning from the colonial era into the twentieth century engage with this architectural legacy and distinctly stand out within the urban fabric of the continent’s majo…
Blood Red
Pilastras Picadas Y Rejas Voladas
El presente trabajo analiza el impacto que tuvo la aplicación de la normativa edilicia del periodo posindependentista, en el proceso de desaparición de la arquitectura colonial de Buenos Aires durante la primera mitad del siglo XIX. La prohibición de salientes en la planta baja de las fachadas fue aplicada en forma excepcional en lo que respecta al derecho privado, ya que operó con retroactividad sobre la arquitectura preexistente: todas las cons…
Archaeology (3 works) · Art (3 works) · History (3 works) · History (3 works) · Historical and Cultural Archaeology Studies (2 works) · Humanities (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works)