Fatima Zehra Naveed
Biographic Data
| ID | 6055512 |
|---|---|
| NAME | Fatima Zehra Naveed |
| GIVEN NAMES | Fatima Zehra |
| FAMILY NAME | Naveed |
| SIGNATURE | NAVEED F Z |
| AFFILIATIONS | University of Exeter |
| ORCID | 0000-0001-9133-3035 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Introduction
Progressive Laments and/on Partition
During the 1947 Partition, the new manifesto of the All-India Progressive Writers' Association (PWA), which had committed to portraying the 'radical changes' within Indian society, demanded 'neutrality' from its writers to dissuade ideas of communalism. Using Khadija Mastur's 1962 novel Aangan (The Women's Courtyard), this paper analyses women's writing as embodying, and yet encoding ambivalence towards, the PWA's directives on progressivism. In …
No prominent works on this page.
Introduction
Progressive Laments and/on Partition
During the 1947 Partition, the new manifesto of the All-India Progressive Writers' Association (PWA), which had committed to portraying the 'radical changes' within Indian society, demanded 'neutrality' from its writers to dissuade ideas of communalism. Using Khadija Mastur's 1962 novel Aangan (The Women's Courtyard), this paper analyses women's writing as embodying, and yet encoding ambivalence towards, the PWA's directives on progressivism. In …
Gender Studies (2 works) · Gender Studies (2 works) · History (2 works) · History (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Art (1 work) · Asian Studies and History (1 work)