Vebhuti Duggal
Biographic Data
| ID | 6055583 |
|---|---|
| NAME | Vebhuti Duggal |
| GIVEN NAMES | Vebhuti |
| FAMILY NAME | Duggal |
| SIGNATURE | DUGGAL V |
| AFFILIATIONS | Ambedkar University Delhi |
| ORCID | 0000-0002-3349-9309 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Decolonising Film Pedagogy from an Indian Classroom
This article is a critical introduction to a roundtable discussion on the question of pedagogy in Film and Media Studies. Occasioned by a discussion of a film studies textbook produced in India, which focused on the questions of decolonisation of pedagogic resources as well as a consideration of how film studies is taught in different parts of the world. Participated in by scholars based in the US, the UAE and India, the roundtable also highlight…
Intermediality
Introduction
This essay serves as an introduction to a special section on the senses in late colonial India. Participating in the act of decolonising sensory studies, this collection explores the intersections between post-colonial studies and sensory studies by paying particular attention to the sensorium of the colonised. In the historical and geographical context of colonial South Asia, the senses are embedded in acts of distinction across race, caste, cla…
Radios, ringtones, and memory cards or, how the mobile phone became our favourite music playback device
This article explores the co-constitution of mobile phones and music consumption in India to examine the changing relationships between music, listeners, playback technologies and music markets. Drawing upon ethnographic research conducted between 2011 and 2013 and archival material from 2003 to 2013, we trace the intersections of vectors such as mobile phone technologies, the digital im/materiality of sound recordings, legal and extralegal econo…
Filming Horror
Within popular cinema, there are some genres/authors that receive scant attention; there exists a hierarchy of taste and value within the popular. In the discussions on/of Bombay cinema, this is tr
No prominent works on this page.
Radios, ringtones, and memory cards or, how the mobile phone became our favourite music playback device
This article explores the co-constitution of mobile phones and music consumption in India to examine the changing relationships between music, listeners, playback technologies and music markets. Drawing upon ethnographic research conducted between 2011 and 2013 and archival material from 2003 to 2013, we trace the intersections of vectors such as mobile phone technologies, the digital im/materiality of sound recordings, legal and extralegal econo…
Filming Horror
Within popular cinema, there are some genres/authors that receive scant attention; there exists a hierarchy of taste and value within the popular. In the discussions on/of Bombay cinema, this is tr
Intermediality
Introduction
This essay serves as an introduction to a special section on the senses in late colonial India. Participating in the act of decolonising sensory studies, this collection explores the intersections between post-colonial studies and sensory studies by paying particular attention to the sensorium of the colonised. In the historical and geographical context of colonial South Asia, the senses are embedded in acts of distinction across race, caste, cla…
Decolonising Film Pedagogy from an Indian Classroom
This article is a critical introduction to a roundtable discussion on the question of pedagogy in Film and Media Studies. Occasioned by a discussion of a film studies textbook produced in India, which focused on the questions of decolonisation of pedagogic resources as well as a consideration of how film studies is taught in different parts of the world. Participated in by scholars based in the US, the UAE and India, the roundtable also highlight…
Political science (4 works) · Aesthetics (3 works) · Art (3 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Sociology (3 works) · Advertising (2 works) · Anthropological Studies and Insights (2 works) · Hong Kong and Taiwan Politics (2 works) · Law (2 works)