Dean Vuletic
Biographic Data
| ID | 6089135 |
|---|---|
| NAME | Dean Vuletic |
| GIVEN NAMES | Dean |
| FAMILY NAME | Vuletic |
| SIGNATURE | VULETIĆ D |
| AFFILIATIONS | Columbia University |
| ORCID | 0000-0002-6192-7681 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The Eurovision Song Contest as a Cultural Phenomenon
The Eurovision Song Contest (ESC) has been a part of the European television landscape continuously from the 1950s, when television was a new medium, to the present, when television programmes are increasingly accessed on platforms other than broadcast television. As a result, it offers a unique opportunity for studying and teaching European television and media history. However, few scholars in media studies have been interested in the ESC's his…
The socialist star
During the Cold War the cultural and political identities of the multinational federation of Yugoslavia were performed on the stage of the Eurovision Song Contest (ESC). Participation in the ESC presented Yugoslavia with the challenge of how to express its non-aligned, multinational, and socialist characteristics, together with the traditional and modern elements of its identities, in a musical form to a predominantly West European audience. In t…
That’s amore
Popular Culture
Immediately following the Second World War, Eastern European communist parties employed censorship against Western popular culture, such as film and popular music, which they regarded as politically inappropriate. From the late 1950s, most parties increasingly sought to satisfy their citizens’ desires for consumption and entertainment, and they promoted the development of local cultural alternatives. The parties were not uniform in their policies…
Out of the homeland
This article discusses how the Croatian right’s attitudes towards gay rights have been defined by nationalism and Europeanism. It focusses on the Croatian Democratic Union (Hrvatska demokratska zajednica, HDZ), which has dominated Croatian politics since it was first elected to government in 1990. It led Croatia to independence from Yugoslavia in 1991 and through the homeland War from 1991 to 1995, and it also started and finished Croatia’s negot…
Generation Number One
Popular music is one of the cultural phenomena that has been most shared among the peoples inhabiting the territory of the former Yugoslavia; indeed, considering the persistence of a common popular music culture there even after the break up of the Yugoslav federation in 1991, there is perhaps little in cultural life that unites them more. It was in the 1950s that a Yugoslav popular music culture emerged through the development of local festivals…
Out of the homeland
This article discusses how the Croatian right’s attitudes towards gay rights have been defined by nationalism and Europeanism. It focusses on the Croatian Democratic Union (Hrvatska demokratska zajednica, HDZ), which has dominated Croatian politics since it was first elected to government in 1990. It led Croatia to independence from Yugoslavia in 1991 and through the homeland War from 1991 to 1995, and it also started and finished Croatia’s negot…
Generation Number One
Popular music is one of the cultural phenomena that has been most shared among the peoples inhabiting the territory of the former Yugoslavia; indeed, considering the persistence of a common popular music culture there even after the break up of the Yugoslav federation in 1991, there is perhaps little in cultural life that unites them more. It was in the 1950s that a Yugoslav popular music culture emerged through the development of local festivals…
Popular Culture
Immediately following the Second World War, Eastern European communist parties employed censorship against Western popular culture, such as film and popular music, which they regarded as politically inappropriate. From the late 1950s, most parties increasingly sought to satisfy their citizens’ desires for consumption and entertainment, and they promoted the development of local cultural alternatives. The parties were not uniform in their policies…
Out of the homeland
This article discusses how the Croatian right’s attitudes towards gay rights have been defined by nationalism and Europeanism. It focusses on the Croatian Democratic Union (Hrvatska demokratska zajednica, HDZ), which has dominated Croatian politics since it was first elected to government in 1990. It led Croatia to independence from Yugoslavia in 1991 and through the homeland War from 1991 to 1995, and it also started and finished Croatia’s negot…
That’s amore
The socialist star
During the Cold War the cultural and political identities of the multinational federation of Yugoslavia were performed on the stage of the Eurovision Song Contest (ESC). Participation in the ESC presented Yugoslavia with the challenge of how to express its non-aligned, multinational, and socialist characteristics, together with the traditional and modern elements of its identities, in a musical form to a predominantly West European audience. In t…
The Eurovision Song Contest as a Cultural Phenomenon
The Eurovision Song Contest (ESC) has been a part of the European television landscape continuously from the 1950s, when television was a new medium, to the present, when television programmes are increasingly accessed on platforms other than broadcast television. As a result, it offers a unique opportunity for studying and teaching European television and media history. However, few scholars in media studies have been interested in the ESC's his…
Political science (5 works) · Sociology (5 works) · Law (4 works) · Politics (4 works) · Historical Geopolitical and Social Dynamics (3 works) · Political economy (3 works) · Art (2 works) · Communism (2 works) · CONTEST (2 works) · Economic history (2 works)