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Lucius R Wyatt

Biographic Data

ID6091526
NAMELucius R Wyatt
GIVEN NAMESLucius R
FAMILY NAMEWyatt
SIGNATUREWYATT L R
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Smith, Hale

    Lucius R Wyatt•CHAPTER•The new Grove dictionary of music…•2001

  • Moore, Carman

    Ned Quist, Lucius R Wyatt et al.•CHAPTER•The new Grove dictionary of music…•2001

  • The Inclusion of Concert Music of African-American Composers in Music History Courses

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1996•References: 5

    Lucius R. Wyatt, The Inclusion of Concert Music of African-American Composers in Music History Courses, Black Music Research Journal, Vol. 16, No. 2, Educational Philosophy and Pedagogy (Autumn, 1996), pp. 239-257

  • Six Composers of Nineteenth-Century New Orleans

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1990•Cited by: 1•References: 3

    The composers discussed in this essay belonged to a distinct social and ethnic class in nineteenth-century New Orleans known variously as free persons of color, gens de couleur libre, and black Creoles. Aside from their mutual concern for economic survival, the citizens of this group were joined together by the French language, their interest in French culture, and their membership in the Catholic Church. They attended performances of the opera a…

  • Alvin Singleton, Composer

    Lucius R Wyatt, Lucius Wyatt et al.•ARTICLE•The Black Perspective in Music•1983

  • Fifteen Black American Composers

    Lucius R Wyatt, Alice Tischler et al.•ARTICLE•The Black Perspective in Music•1983

  • The Present State and Future Needs of Research in Black Concert and Recital Music

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1980•References: 2

    Concert and recital music written by black composers is being performed and researched more than ever before in America today. Many new recordings of musical works are now available. Serious documentation of the efforts of black composers is presently being pursued by scholars across the country. Such organizations as the Afro-American Opportunities Association, the Black Music Center at Indiana University, and the journal, The Black Perspective …

  • Ulysses Kay's Fantasy Variations

    Lucius R Wyatt•ARTICLE•The Black Perspective in Music•1977

  • Six Composers of Nineteenth-Century New Orleans

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1990•Cited by: 1•References: 3

    The composers discussed in this essay belonged to a distinct social and ethnic class in nineteenth-century New Orleans known variously as free persons of color, gens de couleur libre, and black Creoles. Aside from their mutual concern for economic survival, the citizens of this group were joined together by the French language, their interest in French culture, and their membership in the Catholic Church. They attended performances of the opera a…

  • Ulysses Kay's Fantasy Variations

    Lucius R Wyatt•ARTICLE•The Black Perspective in Music•1977

  • The Present State and Future Needs of Research in Black Concert and Recital Music

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1980•References: 2

    Concert and recital music written by black composers is being performed and researched more than ever before in America today. Many new recordings of musical works are now available. Serious documentation of the efforts of black composers is presently being pursued by scholars across the country. Such organizations as the Afro-American Opportunities Association, the Black Music Center at Indiana University, and the journal, The Black Perspective …

  • Alvin Singleton, Composer

    Lucius R Wyatt, Lucius Wyatt et al.•ARTICLE•The Black Perspective in Music•1983

  • Fifteen Black American Composers

    Lucius R Wyatt, Alice Tischler et al.•ARTICLE•The Black Perspective in Music•1983

  • Six Composers of Nineteenth-Century New Orleans

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1990•Cited by: 1•References: 3

    The composers discussed in this essay belonged to a distinct social and ethnic class in nineteenth-century New Orleans known variously as free persons of color, gens de couleur libre, and black Creoles. Aside from their mutual concern for economic survival, the citizens of this group were joined together by the French language, their interest in French culture, and their membership in the Catholic Church. They attended performances of the opera a…

  • The Inclusion of Concert Music of African-American Composers in Music History Courses

    Lucius R Wyatt•ARTICLE•Black Music Research Journal•1996•References: 5

    Lucius R. Wyatt, The Inclusion of Concert Music of African-American Composers in Music History Courses, Black Music Research Journal, Vol. 16, No. 2, Educational Philosophy and Pedagogy (Autumn, 1996), pp. 239-257

  • Smith, Hale

    Lucius R Wyatt•CHAPTER•The new Grove dictionary of music…•2001

  • Moore, Carman

    Ned Quist, Lucius R Wyatt et al.•CHAPTER•The new Grove dictionary of music…•2001

Art (7 works) · Music History and Culture (4 works) · Computer Science (3 works) · Literature (3 works) · Theater, Performance, and Music History (3 works) · Visual arts (3 works) · Art history (2 works) · Musicology and Musical Analysis (2 works) · Psychology (2 works) · American and British Literature Analysis (1 work)

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