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Sara Hosey

Biographic Data

ID6095315
NAMESara Hosey
GIVEN NAMESSara
FAMILY NAMEHosey
SIGNATUREHOSEY S
AFFILIATIONSNassau Community College
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Keeping Women in the Dark”

    Sara Hosey•ARTICLE•Science Fiction Studies•2021

    In order to demonstrate the extent to which discussions of women's bodies and reproductive lives are often untethered from biological realities or the imperative to engage meaningfully with women's lived experiences, this article analyzes the depictions of abortion in the popular television series V: The Final Battle and in the pro-life “documentary” The Silent Scream, texts that debuted within months of each other in 1984. Placing them alongside…

  • "One of Us"

    Sara Hosey•ARTICLE•Journal of Literary & Cultural…•2009

    The essay examines the short stories of Noria Jablonski, a writer who recycles disability representations, evacuating their symbolic or metaphoric narrative functions, while retaining an awareness of those functions in order to reprise, revise, and contribute to a larger tradition of disability representation. This larger tradition includes representations of performers in the American freak shows and more recent images of disability—like that of…

No prominent works on this page.

  • "One of Us"

    Sara Hosey•ARTICLE•Journal of Literary & Cultural…•2009

    The essay examines the short stories of Noria Jablonski, a writer who recycles disability representations, evacuating their symbolic or metaphoric narrative functions, while retaining an awareness of those functions in order to reprise, revise, and contribute to a larger tradition of disability representation. This larger tradition includes representations of performers in the American freak shows and more recent images of disability—like that of…

  • Keeping Women in the Dark”

    Sara Hosey•ARTICLE•Science Fiction Studies•2021

    In order to demonstrate the extent to which discussions of women's bodies and reproductive lives are often untethered from biological realities or the imperative to engage meaningfully with women's lived experiences, this article analyzes the depictions of abortion in the popular television series V: The Final Battle and in the pro-life “documentary” The Silent Scream, texts that debuted within months of each other in 1984. Placing them alongside…

Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Gender Studies (2 works) · Philosophy (2 works) · Sociology (2 works) · Abortion (1 work) · Battle (1 work) · Canadian Identity and History (1 work) · Contemporary Literature and Criticism (1 work)

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