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Joe Varghese Yeldho

Biographic Data

ID6095508
NAMEJoe Varghese Yeldho
GIVEN NAMESJoe Varghese
FAMILY NAMEYeldho
SIGNATUREYELDHO J V
AFFILIATIONSNational Institute of Science Education and Research
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Reading Bodies as Sites of Invention in N.K. Jemisin’s B roken E arth Trilogy

    Monika Mishra, Joe Varghese Yeldho•ARTICLE•Science Fiction Studies•2025•References: 7

    The essay argues that Frantz Fanon’s and Hortense Spillers’s conception of a disintegrating black body as the site of transformation serves as the theoretical backdrop for studying N.K. Jemisin’s The Broken Earth trilogy (2015-17). It foregrounds the degenerating body of the character Essun by discussing bodies engaged in the act of petrification, the conversion of bodies into stones, opening a portal for Fanon’s dépouillement or the shedding of …

  • Arivu’s Dalit Rap

    Open Access•Jomal Jose, Joe Varghese Yeldho•ARTICLE•Contemporary Voice of Dalit•2023•References: 2

    The emergent pan-Indian phenomenon of Dalit rap is championed by Arivu and other Dalit rappers, such as Ginni Mahi, Sumeet Samos, Duleshwar Tandi and Vedan. They draw from the wellspring of Dalit musical traditions. These musicians are successors to pioneers who utilized music and poetry in the anti-caste struggle such as Jyotirao Phule, Savitribai Phule, Poykayil Appachan, Bhimrao Kardak, Gaddar and Vilas Ghogre. Arivu’s music utilizes the cultu…

  • Sounding Harlem

    Open Access•Joe Varghese Yeldho•ARTICLE•American, British and Canadian…•2020•Cited by: 1

    The essay focuses on the thematic coming into being of a place mapped through practices of listening. Sound, noise, and music are seen as part of the racially informed urban “everyday.” The reading depends on the isovist narration of The Street (1946) by Ann Petry, documenting Harlem during the 1940s. The text develops a narrative predicated on the use of aurality as a means of “dwelling upon” the site of a home; a place to live, but where the id…

  • A Cognitive Approach to the Trauma Narrative in Toni Morrison’s A Mercy

    Open Access•Jaya Shrivastava, Joe Varghese Yeldho•ARTICLE•Language and Semiotic Studies•2016•References: 2

    This paper studies the trauma narrative of Toni Morrison's novel, A Mercy (2008), using a cognitive narratological framework. The authors, in this paper, describe the response the novel elicits from the reader. And the paper argues that multiple focalization, polychronic narration, and representation of inconsistent information enable Morrison to depict effectively the devastating effects of trauma-whether sexual, socioeconomic, or racial-on indi…

  • Sounding Harlem

    Open Access•Joe Varghese Yeldho•ARTICLE•American, British and Canadian…•2020•Cited by: 1

    The essay focuses on the thematic coming into being of a place mapped through practices of listening. Sound, noise, and music are seen as part of the racially informed urban “everyday.” The reading depends on the isovist narration of The Street (1946) by Ann Petry, documenting Harlem during the 1940s. The text develops a narrative predicated on the use of aurality as a means of “dwelling upon” the site of a home; a place to live, but where the id…

  • A Cognitive Approach to the Trauma Narrative in Toni Morrison’s A Mercy

    Open Access•Jaya Shrivastava, Joe Varghese Yeldho•ARTICLE•Language and Semiotic Studies•2016•References: 2

    This paper studies the trauma narrative of Toni Morrison's novel, A Mercy (2008), using a cognitive narratological framework. The authors, in this paper, describe the response the novel elicits from the reader. And the paper argues that multiple focalization, polychronic narration, and representation of inconsistent information enable Morrison to depict effectively the devastating effects of trauma-whether sexual, socioeconomic, or racial-on indi…

  • Sounding Harlem

    Open Access•Joe Varghese Yeldho•ARTICLE•American, British and Canadian…•2020•Cited by: 1

    The essay focuses on the thematic coming into being of a place mapped through practices of listening. Sound, noise, and music are seen as part of the racially informed urban “everyday.” The reading depends on the isovist narration of The Street (1946) by Ann Petry, documenting Harlem during the 1940s. The text develops a narrative predicated on the use of aurality as a means of “dwelling upon” the site of a home; a place to live, but where the id…

  • Arivu’s Dalit Rap

    Open Access•Jomal Jose, Joe Varghese Yeldho•ARTICLE•Contemporary Voice of Dalit•2023•References: 2

    The emergent pan-Indian phenomenon of Dalit rap is championed by Arivu and other Dalit rappers, such as Ginni Mahi, Sumeet Samos, Duleshwar Tandi and Vedan. They draw from the wellspring of Dalit musical traditions. These musicians are successors to pioneers who utilized music and poetry in the anti-caste struggle such as Jyotirao Phule, Savitribai Phule, Poykayil Appachan, Bhimrao Kardak, Gaddar and Vilas Ghogre. Arivu’s music utilizes the cultu…

  • Reading Bodies as Sites of Invention in N.K. Jemisin’s B roken E arth Trilogy

    Monika Mishra, Joe Varghese Yeldho•ARTICLE•Science Fiction Studies•2025•References: 7

    The essay argues that Frantz Fanon’s and Hortense Spillers’s conception of a disintegrating black body as the site of transformation serves as the theoretical backdrop for studying N.K. Jemisin’s The Broken Earth trilogy (2015-17). It foregrounds the degenerating body of the character Essun by discussing bodies engaged in the act of petrification, the conversion of bodies into stones, opening a portal for Fanon’s dépouillement or the shedding of …

Art (4 works) · Literature (4 works) · Aesthetics (2 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Narrative (2 works) · Philosophy (2 works) · Sociology (2 works) · Active listening (1 works)

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