Simon Spiegel
Biographic Data
| ID | 6095509 |
|---|---|
| NAME | Simon Spiegel |
| GIVEN NAMES | Simon |
| FAMILY NAME | Spiegel |
| SIGNATURE | SPIEGEL S |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Le monde en plus étrange
Le concept d’« estrangement » est central dans la critique sur la science-fiction depuis que Darko Suvin a défini ce genre par sa capacité à créer l’effet d’« estrangement cognitif ». En revenant aux théories de Viktor Shklovsky et de Bertolt Brecht, je montrerai en quoi Suvin, dans sa démarche, entrelace les aspects formel, fictionnel, générique et réceptif de l’estrangement. Contrairement à ce que Suvin affirme, l’outil formel privilégié de la …
Niegeschichte. Science Fiction als Kunst-und Denkmaschine. Von Dietmar Dath. Berlin
Genres sind austauschbare Gefäße«. Interview mit Ivan Engler
Interview with Swiss filmmaker Ivan Engler
Science-Fiction
Forum »Game of Thrones«
Forum on Game of Thrones Publisher's note: This article was originally published as part of issue 8.1. This has been updated to note that this article is part of issue 7.2
Filmanalyse
Science Fiction
Things Made Strange
The concept of “estrangement” has been central to sf criticism ever since Darko Suvin defined the genre as creating the effect of “cognitive estrangement.” By going back to the theories of Viktor Shklovsky and Bertolt Brecht, I will show how Suvin, in his approach, intermingles formal, fictional, generic, and receptive aspects of estrangement. Contrary to Suvin’s assessment, it is not sf’s primary formal operation to render familiar things strang…
No prominent works on this page.
Things Made Strange
The concept of “estrangement” has been central to sf criticism ever since Darko Suvin defined the genre as creating the effect of “cognitive estrangement.” By going back to the theories of Viktor Shklovsky and Bertolt Brecht, I will show how Suvin, in his approach, intermingles formal, fictional, generic, and receptive aspects of estrangement. Contrary to Suvin’s assessment, it is not sf’s primary formal operation to render familiar things strang…
Filmanalyse
Science Fiction
Science-Fiction
Forum »Game of Thrones«
Forum on Game of Thrones Publisher's note: This article was originally published as part of issue 8.1. This has been updated to note that this article is part of issue 7.2
Genres sind austauschbare Gefäße«. Interview mit Ivan Engler
Interview with Swiss filmmaker Ivan Engler
Le monde en plus étrange
Le concept d’« estrangement » est central dans la critique sur la science-fiction depuis que Darko Suvin a défini ce genre par sa capacité à créer l’effet d’« estrangement cognitif ». En revenant aux théories de Viktor Shklovsky et de Bertolt Brecht, je montrerai en quoi Suvin, dans sa démarche, entrelace les aspects formel, fictionnel, générique et réceptif de l’estrangement. Contrairement à ce que Suvin affirme, l’outil formel privilégié de la …
Niegeschichte. Science Fiction als Kunst-und Denkmaschine. Von Dietmar Dath. Berlin
Utopian, Dystopian, and Speculative Fiction (5 works) · Philosophy (4 works) · German Literature and Culture Studies (3 works) · Art (2 works) · Digital Games and Media (2 works) · Engineering (2 works) · Humanities (2 works) · Archaeology (1 works) · Blade (archaeology) (1 works) · Comics and Graphic Narratives (1 works)