Laura Tillery
Biographic Data
| ID | 6111453 |
|---|---|
| NAME | Laura Tillery |
| GIVEN NAMES | Laura |
| FAMILY NAME | Tillery |
| SIGNATURE | TILLERY L |
| AFFILIATIONS | Norwegian University of Science and Technology, Trondheim, Norway |
| ORCID | 0000-0003-3967-9164 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Intermedial Visions of Saint Gregory on Lübeck’s Corpus Christi Confraternity Altarpiece
This article uses the two overlapping images of Saint Gregory in painting and sculpture on the Corpus Christi Confraternity Altarpiece (1497) in Lübeck, Germany, to explore ritual and intermedial coordination in retable design. As the earliest known winged retable to have survived that contains two images of Saint Gregory celebrating Mass, the painted and sculpted images engage with one another to represent the corporeality of Christ across the a…
Hanse Cultural Geography and Communal Identity in Late-Medieval City Views of Lübeck
This article examines painted and printed city views of Lübeck, Germany, from ca. 1465 to 1540 as a lens to examine the corporate body of Hanse merchants and towns in the Baltic late-medieval urban environment. Previous studies on painted views of Lübeck in the background of Bernt Notke’s Lübeck Dance of Death and Hermen Rode’s Altarpiece of Sts. Nicholas and Viktor interpret the cityscape as a marker for the dominance of Lübeck in the Baltic Sea…
No prominent works on this page.
Hanse Cultural Geography and Communal Identity in Late-Medieval City Views of Lübeck
This article examines painted and printed city views of Lübeck, Germany, from ca. 1465 to 1540 as a lens to examine the corporate body of Hanse merchants and towns in the Baltic late-medieval urban environment. Previous studies on painted views of Lübeck in the background of Bernt Notke’s Lübeck Dance of Death and Hermen Rode’s Altarpiece of Sts. Nicholas and Viktor interpret the cityscape as a marker for the dominance of Lübeck in the Baltic Sea…
Intermedial Visions of Saint Gregory on Lübeck’s Corpus Christi Confraternity Altarpiece
This article uses the two overlapping images of Saint Gregory in painting and sculpture on the Corpus Christi Confraternity Altarpiece (1497) in Lübeck, Germany, to explore ritual and intermedial coordination in retable design. As the earliest known winged retable to have survived that contains two images of Saint Gregory celebrating Mass, the painted and sculpted images engage with one another to represent the corporeality of Christ across the a…
Altarpiece (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Byzantine Studies and History (1 work) · Cityscape (1 work) · Context (archaeology (1 work) · Gender Studies (1 work) · Gender Studies (1 work)