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Melinda Alliker Rabb

Biographic Data

ID6114203
NAMEMelinda Alliker Rabb
GIVEN NAMESMelinda Alliker
FAMILY NAMERabb
SIGNATURERABB M A
AFFILIATIONSBrown University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2022
H-INDEX0
  • War

    Melinda Alliker Rabb•CHAPTER•Oxford Handbook of Samuel Johnson•2022

    The concept of the evils of war weaves through Johnson’s work like a connective thread that at times appears visibly on the surface and at other times more subtly underlies the fabric of his thinking and expression. If the idea of war is pervasive, however, the actual body of the warrior is rare. Johnson avoided representation of the embattled flesh and bone of those who did the fighting and suffered its consequences. This dichotomy—confront the …

  • Swift, Secret History, and War

    Melinda Alliker Rabb•ARTICLE•Eighteenth-Century Life•2020

    “Swift, Secret History, and War” argues that the relationship between Swift’s writing, reading, and his abiding interest in the English Civil Wars produced a distinctive contribution to the discourses that arose after the reestablishment of monarchy, called “secret histories.” These narratives claim to expose clandestine acts, to pull away veils that hide petty motives, and to expose abuses underlying the exercise of power. In Swift’s work, howev…

  • ‘Little Snarling Lapdogs’

    Melinda Alliker Rabb•CHAPTER•Oxford Handbook of Eighteenth-Centu…•2019

    The domestic sphere increases as a subject for satire in the latter half of the eighteenth century. Literary histories assert satire’s decline after 1750 when creative energy shifts towards home, family, nature, individual subjectivity, and private feelings. But the apparent shift towards representations of domesticity does not simply displace but rather offers new opportunities to satire which insinuates itself into modes of writing almost as so…

  • Miniature and the English Imagination

    Melinda Alliker Rabb•BOOK•Miniature and the English…•2019

  • Reading Swift

    Ann C Kelly, Ian Higgins et al.•BOOK•Reading Swift•2013

    Assembling thirty-five lectures delivered at the Sixth Münster Symposium on Jonathan Swift in June 2011, this new volume of Reading Swift testifies to an extraordinary spectrum of research interests in the Dean of St Patrick’s, Dublin, and his works. As in the successful earlier volumes, the essays have been grouped in eight sections: biographical aspects (W. B. Carnochan, John Irwin Fischer, Clive T. Probyn, Abigail Williams); bibliographical an…

  • Satire and Secrecy in English Literature from 1650 To 1750

    Melinda Alliker Rabb, M Rabb•BOOK•Satire and Secrecy in English…•2007

    This book revises assumptions about satire as a public, masculine discourse derived from classical precedents, in order to develop theoretical and critical paradigms that accommodate women, popular cu

  • Toward a Theory of Satire II

    Open Access•Melinda Alliker Rabb•CHAPTER•Satire and Secrecy in English…•2007

    Gossip and slander are not the only means of releasing competing stories into the world. ‘Secret histories,’ ‘memoirs,’ and ‘anecdotes are another way of giving birth to a succession of hidden possibilities. “Truth is the daughter of time, was the saying of old ” is Thomas Hooker’s nostalgic observation (A2r). But truth now propagates haphazardly because sometimes God “opens and shuts the womb of truth from bearing, as he sees fit.” Hooker gropes…

  • Cataract

    Melinda Alliker Rabb, Jeffrey Mehlman•ARTICLE•Eighteenth-Century Studies•1982

No prominent works on this page.

  • Cataract

    Melinda Alliker Rabb, Jeffrey Mehlman•ARTICLE•Eighteenth-Century Studies•1982

  • Satire and Secrecy in English Literature from 1650 To 1750

    Melinda Alliker Rabb, M Rabb•BOOK•Satire and Secrecy in English…•2007

    This book revises assumptions about satire as a public, masculine discourse derived from classical precedents, in order to develop theoretical and critical paradigms that accommodate women, popular cu

  • Toward a Theory of Satire II

    Open Access•Melinda Alliker Rabb•CHAPTER•Satire and Secrecy in English…•2007

    Gossip and slander are not the only means of releasing competing stories into the world. ‘Secret histories,’ ‘memoirs,’ and ‘anecdotes are another way of giving birth to a succession of hidden possibilities. “Truth is the daughter of time, was the saying of old ” is Thomas Hooker’s nostalgic observation (A2r). But truth now propagates haphazardly because sometimes God “opens and shuts the womb of truth from bearing, as he sees fit.” Hooker gropes…

  • Reading Swift

    Ann C Kelly, Ian Higgins et al.•BOOK•Reading Swift•2013

    Assembling thirty-five lectures delivered at the Sixth Münster Symposium on Jonathan Swift in June 2011, this new volume of Reading Swift testifies to an extraordinary spectrum of research interests in the Dean of St Patrick’s, Dublin, and his works. As in the successful earlier volumes, the essays have been grouped in eight sections: biographical aspects (W. B. Carnochan, John Irwin Fischer, Clive T. Probyn, Abigail Williams); bibliographical an…

  • ‘Little Snarling Lapdogs’

    Melinda Alliker Rabb•CHAPTER•Oxford Handbook of Eighteenth-Centu…•2019

    The domestic sphere increases as a subject for satire in the latter half of the eighteenth century. Literary histories assert satire’s decline after 1750 when creative energy shifts towards home, family, nature, individual subjectivity, and private feelings. But the apparent shift towards representations of domesticity does not simply displace but rather offers new opportunities to satire which insinuates itself into modes of writing almost as so…

  • Miniature and the English Imagination

    Melinda Alliker Rabb•BOOK•Miniature and the English…•2019

  • Swift, Secret History, and War

    Melinda Alliker Rabb•ARTICLE•Eighteenth-Century Life•2020

    “Swift, Secret History, and War” argues that the relationship between Swift’s writing, reading, and his abiding interest in the English Civil Wars produced a distinctive contribution to the discourses that arose after the reestablishment of monarchy, called “secret histories.” These narratives claim to expose clandestine acts, to pull away veils that hide petty motives, and to expose abuses underlying the exercise of power. In Swift’s work, howev…

  • War

    Melinda Alliker Rabb•CHAPTER•Oxford Handbook of Samuel Johnson•2022

    The concept of the evils of war weaves through Johnson’s work like a connective thread that at times appears visibly on the surface and at other times more subtly underlies the fabric of his thinking and expression. If the idea of war is pervasive, however, the actual body of the warrior is rare. Johnson avoided representation of the embattled flesh and bone of those who did the fighting and suffered its consequences. This dichotomy—confront the …

Art (6 works) · History (6 works) · Law (6 works) · Literature (5 works) · Philosophy (5 works) · Aesthetics (4 works) · Political science (4 works) · Sociology (4 works) · Epistemology (3 works) · 1500-1700 (2 works)

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