Santiago Alarcón Tobón
Biographic Data
| ID | 6149992 |
|---|---|
| NAME | Santiago Alarcón Tobón |
| GIVEN NAMES | Santiago Alarcón |
| FAMILY NAME | Tobón |
| SIGNATURE | TOBÓN S A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Gabriel García Márquez y el cine. La formación de un espectador cinéfilo en Colombia (1927-1961)
Gabriel García Márquez’s success as a writer has overshadowed other facets of his life, such as his relationship with films and cinema. In particular, during his formative years (1927-1961) it is worth insisting on his strong connection with cinema, because he had multiple and varied roles, including film critic, promoter of film clubs and film archives, film student and editor of documentaries, among others. The present work explores these overl…
Procesos y disputas en la formación del espectador
Objective/Context: this paper reviews the strategies and practices through which the Catholic Church and the Medellin Cine-Club (Movie Club) drove specific ways of viewing and judging movies in the mid-20th century in this city. Methodology: with this aim, we draw upon the critique of printed documentary sources such as newspapers, magazines, books, statistical yearbooks, and legislation, complemented with the review of relevant bibliography. Ori…
No prominent works on this page.
Procesos y disputas en la formación del espectador
Objective/Context: this paper reviews the strategies and practices through which the Catholic Church and the Medellin Cine-Club (Movie Club) drove specific ways of viewing and judging movies in the mid-20th century in this city. Methodology: with this aim, we draw upon the critique of printed documentary sources such as newspapers, magazines, books, statistical yearbooks, and legislation, complemented with the review of relevant bibliography. Ori…
Gabriel García Márquez y el cine. La formación de un espectador cinéfilo en Colombia (1927-1961)
Gabriel García Márquez’s success as a writer has overshadowed other facets of his life, such as his relationship with films and cinema. In particular, during his formative years (1927-1961) it is worth insisting on his strong connection with cinema, because he had multiple and varied roles, including film critic, promoter of film clubs and film archives, film student and editor of documentaries, among others. The present work explores these overl…
Art (2 works) · Cinema History and Criticism (2 works) · Humanities (2 works) · Garcia (1 works) · History and Politics in Latin America (1 works) · Photographic and Visual Arts (1 works) · Shakespeare, Adaptation, and Literary Criticism (1 works) · Spanish Culture and Identity (1 works)