Elizabeth L Langhorne
Biographic Data
| ID | 6156076 |
|---|---|
| NAME | Elizabeth L Langhorne |
| GIVEN NAMES | Elizabeth L |
| FAMILY NAME | Langhorne |
| SIGNATURE | LANGHORNE E L |
| AFFILIATIONS | Central Connecticut State University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
‘Art’
Experimental prints made by Jackson Pollock in Stanley William Hayter’s Atelier 17 in 1944–45 were crucial to the evolution of his modernist style, an evolution quite different from Clement Greenberg’s conception of it. Hayter said “Pollock always claimed that he had two masters, Benton and me.” Following Charles Darwent’s Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism 2023 and Christina Weyl’s The Women of Atelier 17…
Mexico, Myth, Politics, Pollock
Challenging the still widespread modernist and Eurocentric understanding of Pollock’s art as a formal advance based in Picasso’s cubism, this study explores the pervasive impact of Mexican art, political culture, and myth on the creation of Pollock’s Birth c. 1941. The recent discovery of Pollock’s early exposure to Diego Rivera’s use of the Mesoamerican myth of Quetzalcoatl invites a reconsideration of the sources of his art. The myth of Quetzal…
Self-Betrayal or Self-Deception? The Case of Jackson Pollock
Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Don…
The Magus and the Alchemist
Pollock, Picasso and the Primitive Elizabeth L. Langhorne
A Virginia Family and Its Plantation Houses
Monticello
No prominent works on this page.
Monticello
Pollock, Picasso and the Primitive Elizabeth L. Langhorne
A Virginia Family and Its Plantation Houses
The Magus and the Alchemist
Self-Betrayal or Self-Deception? The Case of Jackson Pollock
Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Don…
Mexico, Myth, Politics, Pollock
Challenging the still widespread modernist and Eurocentric understanding of Pollock’s art as a formal advance based in Picasso’s cubism, this study explores the pervasive impact of Mexican art, political culture, and myth on the creation of Pollock’s Birth c. 1941. The recent discovery of Pollock’s early exposure to Diego Rivera’s use of the Mesoamerican myth of Quetzalcoatl invites a reconsideration of the sources of his art. The myth of Quetzal…
‘Art’
Experimental prints made by Jackson Pollock in Stanley William Hayter’s Atelier 17 in 1944–45 were crucial to the evolution of his modernist style, an evolution quite different from Clement Greenberg’s conception of it. Hayter said “Pollock always claimed that he had two masters, Benton and me.” Following Charles Darwent’s Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism 2023 and Christina Weyl’s The Women of Atelier 17…
Art (5 works) · Pollock (5 works) · Art history (4 works) · Art, Politics, and Modernism (3 works) · Alchemy (2 works) · History (2 works) · History (2 works) · Law (2 works) · Performance art (2 works) · Political science (2 works)