Paul Barlow
Biographic Data
| ID | 6156115 |
|---|---|
| NAME | Paul Barlow |
| GIVEN NAMES | Paul |
| FAMILY NAME | Barlow |
| SIGNATURE | BARLOW P |
| AFFILIATIONS | Northumbria University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
The Ordering and Disordering of Work
This article asks why Brown’s Work (1852–65) has had such an ambiguous position in the history of art – repeatedly, even obsessively, discussed, but also regularly dismissed as a failure. This article argues that Brown’s critics have failed to understand his distinctive development of the traditions of Hogarth, which run counter to the stylistic devices that have typically been coded as ‘modern’ or ‘avant-garde’. Brown consciously reframes Hogart…
The Aryan Blake
This article considers William Blake’s use of Indian imagery, a topic which has exercised recent scholars of Blake’s work but which has led to an interpretative stalemate due to differing conceptions of Indian art’s meanings within nineteenth-century British culture. Blake’s Spiritual Form of Nelson Guiding Leviathan and Spiritual Form of Pitt Guiding Behemoth (c.1805–9, Tate) have proved particularly problematic in this regard. Focusing on these…
The imagined hero as incarnate sign
The imagined hero as incarnate sign
The Aryan Blake
This article considers William Blake’s use of Indian imagery, a topic which has exercised recent scholars of Blake’s work but which has led to an interpretative stalemate due to differing conceptions of Indian art’s meanings within nineteenth-century British culture. Blake’s Spiritual Form of Nelson Guiding Leviathan and Spiritual Form of Pitt Guiding Behemoth (c.1805–9, Tate) have proved particularly problematic in this regard. Focusing on these…
The Ordering and Disordering of Work
This article asks why Brown’s Work (1852–65) has had such an ambiguous position in the history of art – repeatedly, even obsessively, discussed, but also regularly dismissed as a failure. This article argues that Brown’s critics have failed to understand his distinctive development of the traditions of Hogarth, which run counter to the stylistic devices that have typically been coded as ‘modern’ or ‘avant-garde’. Brown consciously reframes Hogart…
Art (3 works) · Art history (3 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Historical Art and Culture Studies (2 works) · Philosophy (2 works) · Art History and Market Analysis (1 work) · Aryan race (1 work) · Citation (1 work)