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Gregory Salter

Biographic Data

ID6156137
NAMEGregory Salter
GIVEN NAMESGregory
FAMILY NAMESalter
SIGNATURESALTER G
AFFILIATIONSSchool of Visual Arts
ORCID0000-0003-3496-7474
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Uneven Encounters

    Open Access•Gregory Salter•ARTICLE•Visual Culture in Britain•2026

    Charan Singh: The Promise Of Beauty, The Art House, Wakefield 15 June to 17 August 2024In Charan Singh’s The Reader (2023), part of an ongoing series of photographs that were the focus of his exhib

  • The Non-Visual in Visual Culture in Britain

    Open Access•Gregory Salter•ARTICLE•Visual Culture in Britain•2024

  • Victorians Live

    Open Access•Herbert Sussman, Gregory Salter et al.•ARTICLE•Victorian Literature and Culture•2018

    Herbert Sussman, Editor The Morbid and the Trendy ANN C. COLLEY Oscar Wilde and the Queer Time of Imprisonment at Inside: Artists and Writers in Reading Prison GREGORY SALTER

  • Francis Bacon and Queer Intimacy in Post-War London

    Gregory Salter•ARTICLE•Visual Culture in Britain•2017

    Francis Bacon’s paintings of the immediate post-war period in Britain include several works that take as their subject the spaces and experiences of queer intimacy, prior to the partial-decriminalization of homosexuality in 1967. These works inevitably stray across the spheres that queer men occupied at this time, from the domestic interior to public spaces such as bars and hotels. Through an analysis of Two Figures, 1953, and the ‘Man in Blue’ s…

  • Memories of Kinship in Keith Vaughan's Post-War Paintings

    Open Access•Gregory Salter•ARTICLE•Art History•2015

No prominent works on this page.

  • Memories of Kinship in Keith Vaughan's Post-War Paintings

    Open Access•Gregory Salter•ARTICLE•Art History•2015

  • Francis Bacon and Queer Intimacy in Post-War London

    Gregory Salter•ARTICLE•Visual Culture in Britain•2017

    Francis Bacon’s paintings of the immediate post-war period in Britain include several works that take as their subject the spaces and experiences of queer intimacy, prior to the partial-decriminalization of homosexuality in 1967. These works inevitably stray across the spheres that queer men occupied at this time, from the domestic interior to public spaces such as bars and hotels. Through an analysis of Two Figures, 1953, and the ‘Man in Blue’ s…

  • Victorians Live

    Open Access•Herbert Sussman, Gregory Salter et al.•ARTICLE•Victorian Literature and Culture•2018

    Herbert Sussman, Editor The Morbid and the Trendy ANN C. COLLEY Oscar Wilde and the Queer Time of Imprisonment at Inside: Artists and Writers in Reading Prison GREGORY SALTER

  • The Non-Visual in Visual Culture in Britain

    Open Access•Gregory Salter•ARTICLE•Visual Culture in Britain•2024

  • Uneven Encounters

    Open Access•Gregory Salter•ARTICLE•Visual Culture in Britain•2026

    Charan Singh: The Promise Of Beauty, The Art House, Wakefield 15 June to 17 August 2024In Charan Singh’s The Reader (2023), part of an ongoing series of photographs that were the focus of his exhib

Art (5 works) · Art history (4 works) · Sociology (3 works) · Aesthetics (2 works) · Painting (2 works) · Visual arts (2 works) · Anthropology (1 work) · Art History and Market Analysis (1 work) · Art, Politics, and Modernism (1 work) · Beauty (1 work)

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