Elizabeth Robles
Biographic Data
| ID | 6156168 |
|---|---|
| NAME | Elizabeth Robles |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Robles |
| SIGNATURE | ROBLES E |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
‘It All Started with New Carpet’
Making Waves
This article proposes a rereading of the timeline of the British Black Arts Movement, and offers early work by the Pakistan-born British artist, writer, and editor Rasheed Araeen as possible starting points for reading the work of a new generation of artists who emerged in the early 1980s. Making Waves draws attention to a work by Araeen, For Oluwale, which commemorated the racist killing by police officers of David Oluwale, a Nigerian vagrant pe…
Collage and Recollection in the 1970s and 1980s
[No Abstract]
Complicating Art History
Beholding Christ and Christianity in African American Art, edited by James Romaine and Phoebe Wolfskill, University Park, PA: The Pennsylvania University Press, 2017, 204 pp., 33 col. and 22 b. & w. illus., hardback, $79.95
Maxine Walker
In 1990 American writer and feminist bell hooks theorised the value of the ‘homeplace’ as a powerful, and uniquely domestic, response to the material realities of American racial apartheid. A safe space away from the lived experiences of the culture of white supremacy, it represented a place of refuge, regeneration, and, crucially, resistance for generations of black Americans. ‘We could not learn to love or respect ourselves ... on the outside; …
New Forms of Consumption
No prominent works on this page.
New Forms of Consumption
Maxine Walker
In 1990 American writer and feminist bell hooks theorised the value of the ‘homeplace’ as a powerful, and uniquely domestic, response to the material realities of American racial apartheid. A safe space away from the lived experiences of the culture of white supremacy, it represented a place of refuge, regeneration, and, crucially, resistance for generations of black Americans. ‘We could not learn to love or respect ourselves ... on the outside; …
Making Waves
This article proposes a rereading of the timeline of the British Black Arts Movement, and offers early work by the Pakistan-born British artist, writer, and editor Rasheed Araeen as possible starting points for reading the work of a new generation of artists who emerged in the early 1980s. Making Waves draws attention to a work by Araeen, For Oluwale, which commemorated the racist killing by police officers of David Oluwale, a Nigerian vagrant pe…
Collage and Recollection in the 1970s and 1980s
[No Abstract]
Complicating Art History
Beholding Christ and Christianity in African American Art, edited by James Romaine and Phoebe Wolfskill, University Park, PA: The Pennsylvania University Press, 2017, 204 pp., 33 col. and 22 b. & w. illus., hardback, $79.95
‘It All Started with New Carpet’
Art (6 works) · History (4 works) · Art history (3 works) · Aesthetics (2 works) · Archaeology (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Psychology (2 works) · Sociology (2 works)