Christian Gosvig Olesen
Biographic Data
| ID | 6177754 |
|---|---|
| NAME | Christian Gosvig Olesen |
| GIVEN NAMES | Christian Gosvig |
| FAMILY NAME | Olesen |
| SIGNATURE | OLESEN C G |
| AFFILIATIONS | University of Amsterdam |
| ORCID | 0000-0003-3647-8834 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Digital Access as Archival Reconstitution
Cet article étudie comment l’analyse et la visualisation de caractéristiques sensorielles de l’image en mouvement pourraient contribuer à une reconstitution des archives audiovisuelles, et comment cela affecte comment les objets qui constituent ces archives acquièrent du sens. À ce but, l’article s’inspire du projet de recherche en cours The Sensory Moving Image Archive (SEMIA). Le point de départ du projet SEMIA était l’observation que les utili…
Mimehist
Focussing on the CLARIAH pilot project MIMEHIST: Annotating EYE’s Jean Desmet Collection, this short article discusses how the MIMEHIST project took inspiration from previous decades’ multimedia and video annotation scholarship in film studies to conceptualise video annotation functionalities for studying Eye Filmmuseum’s Jean Desmet Collection in the Media Suite. The article first discusses how MIMEHIST situated itself in relation to past and cu…
Exploring Digitised Moving Image Collections
In recent years, efforts to unlock digitized moving image collections have focused primarily on the retrieval of collection items through semantic descriptors: keywords or other labels produced either manually, or as (semi-)automatically generated metadata. As a result, access to digital archives is still governed overwhelmingly by a logic of search. In practice, this means that users not only need to know what they are looking for, but are also …
This is our first big experiment”
In this archive piece I share some of the outcomes of my research conducted at the Eye Filmmuseum in Amsterdam in 2017–2018 as scholar in residence, focussing on the institution’s acquisition and d
Jean-Luc Godard. Cinema Historian
Behind the Scenes at the BBFC. Film Classification from the Silver Screen to the Digital Age
2012 marked the centenary of the British Board of Film Classification, created in 1912 as The British Board of Film Censors. This was celebrated by the BBFC and the British Film Institute with the
No prominent works on this page.
Jean-Luc Godard. Cinema Historian
Behind the Scenes at the BBFC. Film Classification from the Silver Screen to the Digital Age
2012 marked the centenary of the British Board of Film Classification, created in 1912 as The British Board of Film Censors. This was celebrated by the BBFC and the British Film Institute with the
This is our first big experiment”
In this archive piece I share some of the outcomes of my research conducted at the Eye Filmmuseum in Amsterdam in 2017–2018 as scholar in residence, focussing on the institution’s acquisition and d
Exploring Digitised Moving Image Collections
In recent years, efforts to unlock digitized moving image collections have focused primarily on the retrieval of collection items through semantic descriptors: keywords or other labels produced either manually, or as (semi-)automatically generated metadata. As a result, access to digital archives is still governed overwhelmingly by a logic of search. In practice, this means that users not only need to know what they are looking for, but are also …
Digital Access as Archival Reconstitution
Cet article étudie comment l’analyse et la visualisation de caractéristiques sensorielles de l’image en mouvement pourraient contribuer à une reconstitution des archives audiovisuelles, et comment cela affecte comment les objets qui constituent ces archives acquièrent du sens. À ce but, l’article s’inspire du projet de recherche en cours The Sensory Moving Image Archive (SEMIA). Le point de départ du projet SEMIA était l’observation que les utili…
Mimehist
Focussing on the CLARIAH pilot project MIMEHIST: Annotating EYE’s Jean Desmet Collection, this short article discusses how the MIMEHIST project took inspiration from previous decades’ multimedia and video annotation scholarship in film studies to conceptualise video annotation functionalities for studying Eye Filmmuseum’s Jean Desmet Collection in the Media Suite. The article first discusses how MIMEHIST situated itself in relation to past and cu…
Art (4 works) · Cinema and Media Studies (4 works) · Art history (3 works) · Computer Science (3 works) · History (3 works) · Visual arts (3 works) · Abstraction (1 work) · Aesthetic Perception and Analysis (1 work) · Annotation (1 work) · Art, Politics, and Modernism (1 work)