Katerina Loukopoulou
Biographic Data
| ID | 6177780 |
|---|---|
| NAME | Katerina Loukopoulou |
| GIVEN NAMES | Katerina |
| FAMILY NAME | Loukopoulou |
| SIGNATURE | LOUKOPOULOU K |
| AFFILIATIONS | University of the Arts London |
| ORCID | 0000-0001-9410-7500 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Projecting Creative Processes
The relationship between film and art education has received little scholarly attention. This paper describes and discusses one instance in the long and multifaceted history of this relationship: the educational uses of nonfiction films about art and artists in post-Second World War Britain, known then invariably either as ‘films on art’ or ‘art films.’ As a new international genre (backed by UNESCO’s educational distribution schemes), it gained …
“A Campaign of Truth”
“A Campaign of Truth”
This chapter, by Katarina Loukopoulou, discusses the Marshall Plan (MP) documentary films about Greece in the post–World War II geopolitical context. Drawing on archival research, it explores documentaries that propagated the beneficial impact on Greece of the U.S.-funded European Recovery Program (1948–52, widely known as “Marshall Plan”) both in terms of economic reconstruction and geopolitical stability. It then analyses the audio-visual rheto…
Projected art history
The cultural politics of classical reception in European cinema
The cultural politics of classical reception in European cinema
The Mobile Framing of Henry Moore's Sculpture in Post-War Britain
This essay offers a contextual and textual analysis of the television film Henry Moore (1951), produced and directed for the BBC by John Read in close collaboration with the sculptor Henry Moore on the occasion of the Festival of Britain. This film inaugurated a new genre of audio-visual discourse about artists in Britain. The essay traces its production history and explores the new aesthetic register it established in ways of filming sculpture, …
No prominent works on this page.
The Mobile Framing of Henry Moore's Sculpture in Post-War Britain
This essay offers a contextual and textual analysis of the television film Henry Moore (1951), produced and directed for the BBC by John Read in close collaboration with the sculptor Henry Moore on the occasion of the Festival of Britain. This film inaugurated a new genre of audio-visual discourse about artists in Britain. The essay traces its production history and explores the new aesthetic register it established in ways of filming sculpture, …
The cultural politics of classical reception in European cinema
The cultural politics of classical reception in European cinema
Projected art history
“A Campaign of Truth”
This chapter, by Katarina Loukopoulou, discusses the Marshall Plan (MP) documentary films about Greece in the post–World War II geopolitical context. Drawing on archival research, it explores documentaries that propagated the beneficial impact on Greece of the U.S.-funded European Recovery Program (1948–52, widely known as “Marshall Plan”) both in terms of economic reconstruction and geopolitical stability. It then analyses the audio-visual rheto…
“A Campaign of Truth”
Projecting Creative Processes
The relationship between film and art education has received little scholarly attention. This paper describes and discusses one instance in the long and multifaceted history of this relationship: the educational uses of nonfiction films about art and artists in post-Second World War Britain, known then invariably either as ‘films on art’ or ‘art films.’ As a new international genre (backed by UNESCO’s educational distribution schemes), it gained …
Art (5 works) · History (5 works) · Sociology (5 works) · Law (4 works) · Movie theater (4 works) · Political science (4 works) · Italian Fascism and Post-war Society (3 works) · Literature (3 works) · Politics (3 works) · Visual arts (3 works)