Enis Dinç
Biographic Data
| ID | 6177934 |
|---|---|
| NAME | Enis Dinç |
| GIVEN NAMES | Enis |
| FAMILY NAME | Dinç |
| SIGNATURE | DINÇ E |
| AFFILIATIONS | Schlumberger (Ireland) |
| ORCID | 0000-0002-6401-6736 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Was Sultan Abdülhamid II suspicious of the cinema? A study of cinema in the Hamidian era (1876–1908)
The role of cinema in Young Turk propaganda during the second constitutional era (1908–1913)
Performing Modernity
Although there are several general accounts of the history of cinema in Turkey, little is known on the use of film as a means of communication by Mustafa Kemal Atatürk and his followers in building the Republic of Turkey as a modern nation-state (1923–1938). Drawing upon primary archival sources and newly found footage, this study explores Atatürk’s relationship to cinema during his time in power. By comparing the account of the making of a film …
On the Limits of Oppositional Humor
The present work analyzes the articulation of humor as an oppositional discourse in the Turkish political context, with particular focus on the current controversies between humorists and the Turkish government. It first deals with current debates between satirists and the government, showing how discourses of oppositional humor are created by the media. By pointing out the similarity among the descriptions and statements on the oppositional natu…
On the Limits of Oppositional Humor
The present work analyzes the articulation of humor as an oppositional discourse in the Turkish political context, with particular focus on the current controversies between humorists and the Turkish government. It first deals with current debates between satirists and the government, showing how discourses of oppositional humor are created by the media. By pointing out the similarity among the descriptions and statements on the oppositional natu…
On the Limits of Oppositional Humor
The present work analyzes the articulation of humor as an oppositional discourse in the Turkish political context, with particular focus on the current controversies between humorists and the Turkish government. It first deals with current debates between satirists and the government, showing how discourses of oppositional humor are created by the media. By pointing out the similarity among the descriptions and statements on the oppositional natu…
Performing Modernity
Although there are several general accounts of the history of cinema in Turkey, little is known on the use of film as a means of communication by Mustafa Kemal Atatürk and his followers in building the Republic of Turkey as a modern nation-state (1923–1938). Drawing upon primary archival sources and newly found footage, this study explores Atatürk’s relationship to cinema during his time in power. By comparing the account of the making of a film …
Was Sultan Abdülhamid II suspicious of the cinema? A study of cinema in the Hamidian era (1876–1908)
The role of cinema in Young Turk propaganda during the second constitutional era (1908–1913)
Art (3 works) · Historical Turkish Studies (3 works) · History (3 works) · Law (3 works) · Movie theater (3 works) · Political science (3 works) · Turkey's Politics and Society (3 works) · Art history (2 works) · History (2 works) · Law (2 works)