Özge Özyılmaz
Biographic Data
| ID | 6177952 |
|---|---|
| NAME | Özge Özyılmaz |
| GIVEN NAMES | Özge |
| FAMILY NAME | Özyılmaz |
| SIGNATURE | ÖZYILMAZ Ö |
| AFFILIATIONS | Istanbul Kent University |
| ORCID | 0000-0003-0444-8622 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Slow Watching in the Age of Binge and Reels
This article explores how young audiences in Turkey engage with the slow temporality of Turkish TV dramas ( dizi s) amid an era dominated by binge-watching and short-form video culture. While streaming platforms promote fast-paced, compressed narratives, Turkish dramas retain exceptionally long episodes—often exceeding 150 minutes. Drawing on focus groups with university students, the study examines how young viewers negotiate these extended dura…
The Story of Tell England (1931) in Turkey
Tell England (1931), Anthony Asquith and Geoffrey Barkas’ film depicting the Battle of Gallipoli, unsurprisingly incited emotional responses from its audiences. In Turkey, at a time when memories of the war were still fresh, the feeling was that Tell England would benefit from the insertion of a few ‘local scenes’. Additional scenes were written by author, Ziya Şakir, who also appeared in the film alongside other Turkish actors. In January 1932, …
No prominent works on this page.
The Story of Tell England (1931) in Turkey
Tell England (1931), Anthony Asquith and Geoffrey Barkas’ film depicting the Battle of Gallipoli, unsurprisingly incited emotional responses from its audiences. In Turkey, at a time when memories of the war were still fresh, the feeling was that Tell England would benefit from the insertion of a few ‘local scenes’. Additional scenes were written by author, Ziya Şakir, who also appeared in the film alongside other Turkish actors. In January 1932, …
Slow Watching in the Age of Binge and Reels
This article explores how young audiences in Turkey engage with the slow temporality of Turkish TV dramas ( dizi s) amid an era dominated by binge-watching and short-form video culture. While streaming platforms promote fast-paced, compressed narratives, Turkish dramas retain exceptionally long episodes—often exceeding 150 minutes. Drawing on focus groups with university students, the study examines how young viewers negotiate these extended dura…
Turkish (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Art (1 works) · Battle (1 works) · Cinema and Media Studies (1 works) · Cognitive reframing (1 works) · Exhibition (1 works) · Feeling (1 works) · Gender, Feminism, and Media (1 works)