Claire Dutriaux
Biographic Data
| ID | 6177987 |
|---|---|
| NAME | Claire Dutriaux |
| GIVEN NAMES | Claire |
| FAMILY NAME | Dutriaux |
| SIGNATURE | DUTRIAUX C |
| AFFILIATIONS | Sorbonne Université |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Censoring Exploitation Cinema and Roadshow Attractions in the Production Code Era: The Many Lives of Kroger Babb’s Early Ventures
Hollywood films could not be shown in studio-owned or affiliated theaters if the movies did not obtain a Production Code seal. Such films would be barred from showing in studio-owned theaters and affiliated chains. Exploitation cinema relied on the sensational and the spectacular, often resorting to depictions of sex stories, childbirth, illicit affairs, venereal diseases, or the consumption of drugs—which the Production Code Administration (PCA)…
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon
Despite the advent of the Production Code in 1930/1934, which was supposed to empty local censorship boards of their substance, they continued to act, particularly in the Jim Crow South. The Southern censors used their status to fight against film representations that they considered likely to disturb public order. The control of Hollywood cinema became the place where the political opinions of the South were expressed – mostly those of white Sou…
Le redneck au cinéma: Blanchité masculine et classe sociale dans le cinéma hollywoodien à l’ère du mouvement pour les droits civiques
Cet article examine les variations de la blanchité des figures masculines telles qu’elles sont représentées dans le cinéma hollywoodien des années 1950 et 1960 dans les films centrés autour de la figure du redneck sudiste. Alors que le mouvement américain pour les droits civiques s’est amplifié et largement médiatisé au sortir de la Seconde guerre mondiale, les tensions raciales s’expriment à l’écran sous la forme d’une mise au ban du redneck, vu…
No prominent works on this page.
Le redneck au cinéma: Blanchité masculine et classe sociale dans le cinéma hollywoodien à l’ère du mouvement pour les droits civiques
Cet article examine les variations de la blanchité des figures masculines telles qu’elles sont représentées dans le cinéma hollywoodien des années 1950 et 1960 dans les films centrés autour de la figure du redneck sudiste. Alors que le mouvement américain pour les droits civiques s’est amplifié et largement médiatisé au sortir de la Seconde guerre mondiale, les tensions raciales s’expriment à l’écran sous la forme d’une mise au ban du redneck, vu…
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon
Despite the advent of the Production Code in 1930/1934, which was supposed to empty local censorship boards of their substance, they continued to act, particularly in the Jim Crow South. The Southern censors used their status to fight against film representations that they considered likely to disturb public order. The control of Hollywood cinema became the place where the political opinions of the South were expressed – mostly those of white Sou…
Censoring Exploitation Cinema and Roadshow Attractions in the Production Code Era: The Many Lives of Kroger Babb’s Early Ventures
Hollywood films could not be shown in studio-owned or affiliated theaters if the movies did not obtain a Production Code seal. Such films would be barred from showing in studio-owned theaters and affiliated chains. Exploitation cinema relied on the sensational and the spectacular, often resorting to depictions of sex stories, childbirth, illicit affairs, venereal diseases, or the consumption of drugs—which the Production Code Administration (PCA)…
Cinema and Media Studies (2 works) · Art (1 works) · Art history (1 works) · Censorship (1 works) · European history and politics (1 works) · Gothic Literature and Media Analysis (1 works) · History (1 works) · Hollywood (1 works) · Humanities (1 works) · Italian Fascism and Post-war Society (1 works)