Pierluigi Ercole
Biographic Data
| ID | 6178138 |
|---|---|
| NAME | Pierluigi Ercole |
| GIVEN NAMES | Pierluigi |
| FAMILY NAME | Ercole |
| SIGNATURE | ERCOLE P |
| AFFILIATIONS | De Montfort University |
| ORCID | 0000-0003-1062-4178 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Challenges to Comparative Oral Histories of Cinema Audiences
This article reflects on the challenges of comparative oral history analysis by taking the BA/Leverhulme-funded project Mapping European Cinema: a comparative project on cinema-going experiences in the 1950s (2016-2017) as a case study. The aim of MEC was to test new methodologies in order to explore and compare programming patterns and cinema-going experiences in European cities that were similar in terms of population and film exhibition struct…
Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s
This article, based on the UK Arts and Humanities Research Council–funded project ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geovisualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is used to illustrate the affective and e…
Screening Fascism in the Free State: Italian Propaganda Films and Diplomacy in Ireland, 1934–1940
This article analyses the distribution of Italian fascist propaganda films in Ireland in relation to the diplomatic strategies adopted by the Italian embassy in Dublin between 1934 and 1940. Focusing on both the propaganda activities organised by the ambassadors Romano Lodi-Fè and Vicenzo Berardis and on related screenings of documentaries produced by the state owned L’Unione Cinematografica Educativa (LUCE; Union of Educational Cinematography), …
Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s
This article, based on the UK Arts and Humanities Research Council–funded project ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geovisualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is used to illustrate the affective and e…
Screening Fascism in the Free State: Italian Propaganda Films and Diplomacy in Ireland, 1934–1940
This article analyses the distribution of Italian fascist propaganda films in Ireland in relation to the diplomatic strategies adopted by the Italian embassy in Dublin between 1934 and 1940. Focusing on both the propaganda activities organised by the ambassadors Romano Lodi-Fè and Vicenzo Berardis and on related screenings of documentaries produced by the state owned L’Unione Cinematografica Educativa (LUCE; Union of Educational Cinematography), …
Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s
This article, based on the UK Arts and Humanities Research Council–funded project ‘In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, Genre and National Identity’, explores the power of geovisualization for capturing the affective geographies of cinema audiences. This mapping technique, used in our project to interrogate the Italian exhibition sector as well as to map film distribution, is used to illustrate the affective and e…
Challenges to Comparative Oral Histories of Cinema Audiences
This article reflects on the challenges of comparative oral history analysis by taking the BA/Leverhulme-funded project Mapping European Cinema: a comparative project on cinema-going experiences in the 1950s (2016-2017) as a case study. The aim of MEC was to test new methodologies in order to explore and compare programming patterns and cinema-going experiences in European cities that were similar in terms of population and film exhibition struct…
Media studies (3 works) · Movie theater (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Exhibition (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Archaeology (1 works)