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Miren Gutiérrez Almazor

Biographic Data

ID6179282
NAMEMiren Gutiérrez Almazor
GIVEN NAMESMiren Gutiérrez
FAMILY NAMEAlmazor
SIGNATUREALMAZOR M G
AFFILIATIONSUniversidad de Deusto
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Gender stereotypes in documentary cinema: A comparative analysis of women's representation in historical conflicts

    Cristina Gallego Morcillo, Miren Gutiérrez Almazor et al.•ARTICLE•International Journal of…•2026•References: 27

    Purpose This paper examines how women are represented in a purposive sample of war documentaries on the Spanish Civil War, World War II, and the Syrian War, gauging the persistence and evolution of gender stereotypes across these historical contexts. Design/methodology/approach A mixed-methods content analysis was conducted on 18 documentaries produced between 1963 and 2023. Their transcribed scripts (approximately 154,000 words) were coded and a…

  • New approaches to the propagation of the antifeminist backlash on Twitter

    Open Access•Miren Gutiérrez Almazor, María Jesús Pando Canteli et al.•ARTICLE•Investigaciones Feministas•2020

    A year after the #MeToo movement erupted, antifeminism started to retort. The idea behind the backlash was that ‘the men who have been accused are the heroes’ (Tolentino, 2018). Twitter was one of the public spaces where this confrontation occurred; the #HimToo backlash gathered steam in 2018 (Asimov, 2018) and expanded into 2019. Focussing on the reactions against #Cuéntalo Twitter campaign –the Spanish equivalent to #MeToo—, this article examin…

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  • New approaches to the propagation of the antifeminist backlash on Twitter

    Open Access•Miren Gutiérrez Almazor, María Jesús Pando Canteli et al.•ARTICLE•Investigaciones Feministas•2020

    A year after the #MeToo movement erupted, antifeminism started to retort. The idea behind the backlash was that ‘the men who have been accused are the heroes’ (Tolentino, 2018). Twitter was one of the public spaces where this confrontation occurred; the #HimToo backlash gathered steam in 2018 (Asimov, 2018) and expanded into 2019. Focussing on the reactions against #Cuéntalo Twitter campaign –the Spanish equivalent to #MeToo—, this article examin…

  • Gender stereotypes in documentary cinema: A comparative analysis of women's representation in historical conflicts

    Cristina Gallego Morcillo, Miren Gutiérrez Almazor et al.•ARTICLE•International Journal of…•2026•References: 27

    Purpose This paper examines how women are represented in a purposive sample of war documentaries on the Spanish Civil War, World War II, and the Syrian War, gauging the persistence and evolution of gender stereotypes across these historical contexts. Design/methodology/approach A mixed-methods content analysis was conducted on 18 documentaries produced between 1963 and 2023. Their transcribed scripts (approximately 154,000 words) were coded and a…

Archetype (1 works) · Artificial Intelligence (1 works) · Backlash (1 works) · Computer Science (1 works) · Content analysis (1 works) · Context (archaeology (1 works) · Cultural and political discourse analysis (1 works) · Face (sociological concept (1 works) · Gender, Feminism, and Media (1 works) · Gender, Security, and Conflict (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae