Li Xiaorong
Biographic Data
| ID | 6183546 |
|---|---|
| NAME | Li Xiaorong |
| GIVEN NAMES | Li |
| FAMILY NAME | Xiaorong |
| SIGNATURE | XIAORONG L |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Regional interactions in the Chan Buddhist literature between Sichuan and Zhejiang in the Northern and Southern Song periods—Centering on the phenomena of “Sichuan Monks as Laju ” and “Zhejiang Monks …
In the history of Chan Buddhism, a special phenomenon emerged during the Song dynasty, wherein many Chan monks from Sichuan traveled downstream to the middle and lower reaches of the Yangzi River. Particularly during the Southern Song, Sichuan monks who went to Zhejiang enjoyed preeminent social status and brought political influence, giving rise to a situation in which Sichuan monks and Zhejiang monks were labeled as laju (“indecorous”) and xiao…
I Sliced My Flesh Into Paper, and Ground My Liver Into Ink”: Wang Cihui’s (1593–1642) Sensualist Poetry as an Alternative Route to Self-Realization
Wang Yanhong 王彥泓 (zi Cihui 次回, 1593–1642) was active in the last decades of the Ming. Because of his particular interest in representing erotic and amorous experiences with women in rich and sensual detail, his poetry was controversial and condemned by those who upheld a Confucian poetics in which poetry was meant to express the poet’s moral intentions and social criticism. This paper is the first attempt to translate Wang’s poems into English an…
No prominent works on this page.
I Sliced My Flesh Into Paper, and Ground My Liver Into Ink”: Wang Cihui’s (1593–1642) Sensualist Poetry as an Alternative Route to Self-Realization
Wang Yanhong 王彥泓 (zi Cihui 次回, 1593–1642) was active in the last decades of the Ming. Because of his particular interest in representing erotic and amorous experiences with women in rich and sensual detail, his poetry was controversial and condemned by those who upheld a Confucian poetics in which poetry was meant to express the poet’s moral intentions and social criticism. This paper is the first attempt to translate Wang’s poems into English an…
Regional interactions in the Chan Buddhist literature between Sichuan and Zhejiang in the Northern and Southern Song periods—Centering on the phenomena of “Sichuan Monks as Laju ” and “Zhejiang Monks …
In the history of Chan Buddhism, a special phenomenon emerged during the Song dynasty, wherein many Chan monks from Sichuan traveled downstream to the middle and lower reaches of the Yangzi River. Particularly during the Southern Song, Sichuan monks who went to Zhejiang enjoyed preeminent social status and brought political influence, giving rise to a situation in which Sichuan monks and Zhejiang monks were labeled as laju (“indecorous”) and xiao…
Art (2 works) · Chinese history and philosophy (2 works) · Literature (2 works) · Poetry (2 works) · Aestheticism (1 works) · Aesthetics (1 works) · Ancient history (1 works) · Archaeology (1 works) · Beauty (1 works) · Buddhism (1 works)