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Kathryn Lowry

Biographic Data

ID6183580
NAMEKathryn Lowry
GIVEN NAMESKathryn
FAMILY NAMELowry
SIGNATURELOWRY K
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2005
H-INDEX1
  • The Tapestry of Popular Songs in 16th- and 17th-Century China

    Kathryn Lowry, Kathryn P Lowry•BOOK•The Tapestry of Popular Songs in…•2005

    Popular songs in sixteenth- and seventeenth-century China form a rich and intriguing body of materials hardly studied so far in the English-speaking world. This book is about these songs and their impact on Chinese culture and literary practice. It examines the tapestry books in which popular songs circulated, how books shaped readers, how books were shaped by a range of literacies, and how arrangements of performance-texts aided imitation and se…

  • Xin bian Ming ren nianpu congkan

    Kathryn Lowry•ARTICLE•Ming Studies•2001•Cited by: 1

  • Three Ways to Read a Love Letter in Late Ming

    Kathryn Lowry, Kathryn A Lowry•ARTICLE•Ming Studies•2000

    Epistolary guides from late Ming, ca. late-sixteenth century to early-seventeenth century, furnish model letters and vocabulary to enhance skills in writing that were deemed necessary for the conduct of daily life, but generally omit qingshu, the love letter. In a recent study of Chinese epistolary literature, Zhao Shugong observes that the absence of the genre is striking. Particularly in light of the nuance of sentiment in letters of social int…

  • Xin bian Ming ren nianpu congkan

    Kathryn Lowry•ARTICLE•Ming Studies•2001•Cited by: 1

  • Three Ways to Read a Love Letter in Late Ming

    Kathryn Lowry, Kathryn A Lowry•ARTICLE•Ming Studies•2000

    Epistolary guides from late Ming, ca. late-sixteenth century to early-seventeenth century, furnish model letters and vocabulary to enhance skills in writing that were deemed necessary for the conduct of daily life, but generally omit qingshu, the love letter. In a recent study of Chinese epistolary literature, Zhao Shugong observes that the absence of the genre is striking. Particularly in light of the nuance of sentiment in letters of social int…

  • Xin bian Ming ren nianpu congkan

    Kathryn Lowry•ARTICLE•Ming Studies•2001•Cited by: 1

  • The Tapestry of Popular Songs in 16th- and 17th-Century China

    Kathryn Lowry, Kathryn P Lowry•BOOK•The Tapestry of Popular Songs in…•2005

    Popular songs in sixteenth- and seventeenth-century China form a rich and intriguing body of materials hardly studied so far in the English-speaking world. This book is about these songs and their impact on Chinese culture and literary practice. It examines the tapestry books in which popular songs circulated, how books shaped readers, how books were shaped by a range of literacies, and how arrangements of performance-texts aided imitation and se…

Art (3 works) · Chinese history and philosophy (3 works) · History (3 works) · History (2 works) · Japanese History and Culture (2 works) · Literature (2 works) · Psychology (2 works) · China (1 works) · Computer Science (1 works) · Content (measure theory (1 works)

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