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Nicole Haitzinger

Biographic Data

ID6185261
NAMENicole Haitzinger
GIVEN NAMESNicole
FAMILY NAMEHaitzinger
SIGNATUREHAITZINGER N
AFFILIATIONSUniversity of Salzburg
ORCID0000-0002-7796-4882
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2023
H-INDEX0
  • ‘Brexit put us in the Fridge, Covid in the Freezer’

    Open Access•Alexandra Kolb, Nicole Haitzinger•ARTICLE•Dance Research•2023

    This article investigates how Covid-19 and Brexit have impacted the practices, finances and wellbeing of UK dance professionals, drawing on first-hand data collected in early 2021 from interviews, questionnaires and a panel discussion. The testimonies of freelance practitioners from different backgrounds, as well as key stakeholders from national institutions and organisations employing or otherwise interacting with freelancers, present bottom-up…

  • Remembering Nyota Inyoka

    Open Access•Sandra Chatterjee, Franz Anton Cramer et al.•ARTICLE•Dance Research Journal•2022

    In this article, the three co-authors collaboratively address practices of queering in relation to the Parisian choreographer of color Nyota Inyoka (1896–1971), whose biography and identity remain mysterious even after extensive research. Writing from three different research perspectives and relating to three different aspects of her life and work, the co-authors analyze Nyota Inyoka and practices of Queering the Archive, her staging of Shiva as…

  • Choreographie als transmediale Denkfigur

    Open Access•Nicole Haitzinger•CHAPTER•»Clear the Air«. Künstlermanifeste…•2017

  • Afro-Futurism or Lament? Staging Africa(s) in Dance Today and in the 1920s

    Open Access•Nicole Haitzinger•ARTICLE•Dance Research Journal•2017•References: 5

    This article analyzes two contemporary pieces, Faustin Linyekula's La Création du Monde 1923–2012 and Vera Mantero's A mysterious thing said e. e. Cummings , which respond to dance productions presented in Europe in the early decades of the twentieth century by criticizing their “negrophilic” attitude. The article juxtaposes the analysis of these two contemporary pieces with rereadings of the historical choreographies/events of the 1920s to which…

  • Resonanzen des Tragischen

    Open Access•Nicole Haitzinger•BOOK•Resonanzen des Tragischen•2015

    This study is dedicated to the notion of the tragic in European dance theatre, the evocation of which takes place in a field of tension constituted by staging techniques as well as by conceptions, procedures and moments of interruption, of suspension, of disturbance and of an indeterminability effected by ec-static corporeality. It is possible to recognise in the event-generating structure and function of the tragic formal principles and an aesth…

  • Dancing Swans and Firebirds

    Claudia Jeschke, Nicole Haitzinger•ARTICLE•Dance Chronicle•2009

No prominent works on this page.

  • Dancing Swans and Firebirds

    Claudia Jeschke, Nicole Haitzinger•ARTICLE•Dance Chronicle•2009

  • Resonanzen des Tragischen

    Open Access•Nicole Haitzinger•BOOK•Resonanzen des Tragischen•2015

    This study is dedicated to the notion of the tragic in European dance theatre, the evocation of which takes place in a field of tension constituted by staging techniques as well as by conceptions, procedures and moments of interruption, of suspension, of disturbance and of an indeterminability effected by ec-static corporeality. It is possible to recognise in the event-generating structure and function of the tragic formal principles and an aesth…

  • Choreographie als transmediale Denkfigur

    Open Access•Nicole Haitzinger•CHAPTER•»Clear the Air«. Künstlermanifeste…•2017

  • Afro-Futurism or Lament? Staging Africa(s) in Dance Today and in the 1920s

    Open Access•Nicole Haitzinger•ARTICLE•Dance Research Journal•2017•References: 5

    This article analyzes two contemporary pieces, Faustin Linyekula's La Création du Monde 1923–2012 and Vera Mantero's A mysterious thing said e. e. Cummings , which respond to dance productions presented in Europe in the early decades of the twentieth century by criticizing their “negrophilic” attitude. The article juxtaposes the analysis of these two contemporary pieces with rereadings of the historical choreographies/events of the 1920s to which…

  • Remembering Nyota Inyoka

    Open Access•Sandra Chatterjee, Franz Anton Cramer et al.•ARTICLE•Dance Research Journal•2022

    In this article, the three co-authors collaboratively address practices of queering in relation to the Parisian choreographer of color Nyota Inyoka (1896–1971), whose biography and identity remain mysterious even after extensive research. Writing from three different research perspectives and relating to three different aspects of her life and work, the co-authors analyze Nyota Inyoka and practices of Queering the Archive, her staging of Shiva as…

  • ‘Brexit put us in the Fridge, Covid in the Freezer’

    Open Access•Alexandra Kolb, Nicole Haitzinger•ARTICLE•Dance Research•2023

    This article investigates how Covid-19 and Brexit have impacted the practices, finances and wellbeing of UK dance professionals, drawing on first-hand data collected in early 2021 from interviews, questionnaires and a panel discussion. The testimonies of freelance practitioners from different backgrounds, as well as key stakeholders from national institutions and organisations employing or otherwise interacting with freelancers, present bottom-up…

Art (4 works) · Diversity and Impact of Dance (4 works) · Dance (3 works) · Philosophy (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Arts, Culture, and Music Studies (2 works) · Context (archaeology) (2 works) · French Historical and Cultural Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae