Felix Cherniavsky
Biographic Data
| ID | 6185274 |
|---|---|
| NAME | Felix Cherniavsky |
| GIVEN NAMES | Felix |
| FAMILY NAME | Cherniavsky |
| SIGNATURE | CHERNIAVSKY F |
| AFFILIATIONS | Medicine Hat College |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 1985 |
| H-INDEX | 0 |
Maud Allan, part V
At the end of her fifteen-month tour of the Far East, New Zealand and Australia, Maud Allan sailed from Australia in late January 1915, arriving in San Francisco in late February.1 For about a year she stayed with her parents, who were living in a bungalow on Lucille Avenue, in a seedy part of Hollywood. During the summer of 1915 she played the lead role, which included a number of dances, in a photoplay titled The Rugmaker's Daughter, no copy of…
Maud allan, part iv
Between her closing performance on the stage of London's Palace Theatre in mid-November 1909 and her departure on January 10, 1910, for her maiden tour of the United States, Maud Allan made a two city visit to Russia, dancing in St. Petersburg and Moscow. One of her motives in undertaking such an excursion surely was to match, or even surpass, the success of Isadora Duncan, who, some years earlier, had taken Russia by storm. Shortly before Maud's…
Maud Allan, part III
Ever since Duncanism has created schools with its danced poems and music, scarcely a season passes by without the appearance of a new star in the sky of modern choreography. This season's star is Maud Allan, a first-hand student and apprentice of Duncan, but who now has become a strong rival of her teacher, having appeared with great success in the various capitals of Europe. But Maud Allan's art has nothing to do with what one would call dancing…
Maud Allan, part II
Since virtually the only records that remain of Maud Allan's life at the time of her debut in Vienna in 1903 and her subsequent appearances in various cities of Europe during the next five years are the reviews of her performances, the handful of surviving letters from Maud to her mother, Isabella Durrant of San Francisco are of particular interest. While they do not, either in quantity or in subject matter, provide detailed information about Mau…
Maud Allan part I
Seventy-five years ago, on March 8, 1908, the Canadian-born aesthetic dancer Maud Allan made her sensational London debut featuring The Vision of at the Palace Theatre. For nearly two years she was the idol of the popular press, the rage of London's entertainment world, and the toast of British society. For the previous five years she had toured the European continent from Brussels to Belgrade, but she had been hampered by lack of funds and inept…
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Maud Allan, part II
Since virtually the only records that remain of Maud Allan's life at the time of her debut in Vienna in 1903 and her subsequent appearances in various cities of Europe during the next five years are the reviews of her performances, the handful of surviving letters from Maud to her mother, Isabella Durrant of San Francisco are of particular interest. While they do not, either in quantity or in subject matter, provide detailed information about Mau…
Maud Allan part I
Seventy-five years ago, on March 8, 1908, the Canadian-born aesthetic dancer Maud Allan made her sensational London debut featuring The Vision of at the Palace Theatre. For nearly two years she was the idol of the popular press, the rage of London's entertainment world, and the toast of British society. For the previous five years she had toured the European continent from Brussels to Belgrade, but she had been hampered by lack of funds and inept…
Maud Allan, part III
Ever since Duncanism has created schools with its danced poems and music, scarcely a season passes by without the appearance of a new star in the sky of modern choreography. This season's star is Maud Allan, a first-hand student and apprentice of Duncan, but who now has become a strong rival of her teacher, having appeared with great success in the various capitals of Europe. But Maud Allan's art has nothing to do with what one would call dancing…
Maud allan, part iv
Between her closing performance on the stage of London's Palace Theatre in mid-November 1909 and her departure on January 10, 1910, for her maiden tour of the United States, Maud Allan made a two city visit to Russia, dancing in St. Petersburg and Moscow. One of her motives in undertaking such an excursion surely was to match, or even surpass, the success of Isadora Duncan, who, some years earlier, had taken Russia by storm. Shortly before Maud's…
Maud Allan, part V
At the end of her fifteen-month tour of the Far East, New Zealand and Australia, Maud Allan sailed from Australia in late January 1915, arriving in San Francisco in late February.1 For about a year she stayed with her parents, who were living in a bungalow on Lucille Avenue, in a seedy part of Hollywood. During the summer of 1915 she played the lead role, which included a number of dances, in a photoplay titled The Rugmaker's Daughter, no copy of…
Art (5 works) · Art history (5 works) · History (4 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Performance art (3 works) · Theater, Performance, and Music History (3 works) · Literature (2 works) · Philosophy (2 works) · Visual arts (2 works)