Clare Lidbury
Biographic Data
| ID | 6185300 |
|---|---|
| NAME | Clare Lidbury |
| GIVEN NAMES | Clare |
| FAMILY NAME | Lidbury |
| SIGNATURE | LIDBURY C |
| AFFILIATIONS | University of Wolverhampton |
| ORCID | 0000-0001-5381-3353 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Sigurd Leeder
This article acknowledges Sigurd Leeder (1902–1981) as a key figure in the dance scene in Europe and Chile from the 1920s through to the 1970s. Through reference to articles, reviews, letters, interviews, notation scores, performances and seminal texts his work as a visual artist, movement notator, dancer, choreographer and teacher is fully explored, and the influences of Rudolf Laban and Kurt Jooss on Leeder's life and work are examined. It is c…
Lucia Ruprecht, Gestural Imaginaries
One Perspective, Many Voices
London Contemporary Dance School (LCDS) opened in 1966 in modest premises in Berners Place, close to Oxford Street in central London, moving to The Place (near Euston Station), the location with wh
Dance Chronicle ’s Past and Futures
Founding Editors’ Awards, Honoring Richard Ralph in 2019–2020
The biennial Founding Editors’ Awards, instituted by Dance Chronicle in 2015, constitute a favorite endeavor for the editors of the journal in the seasonal cycle of dance research. It allows us to
Drums Sound in Hackensack
In 1941 Agnes de Mille created Drums Sound in Hackensack for the Jooss Ballet. There is no film of the work and few photographs, but the work is documented in her choreographic notes, letters to and from de Mille, dancers’ recollections, and reviews. From these we can learn why and how de Mille created the work, what it was like, and why it was significant to the Jooss Ballet. With its American theme, historical setting, dream sequence, and a fem…
Dear Jane … Affectionately Doris H
This article explores the unpublicized and little-known friendship of Doris Humphrey and Jane Winearls, arguing that what each of them sought in the other was the chance to share inner reflections and dreams with a stimulating, supportive fellow dance practitioner. I examine how their friendship began when Winearls was one of the London dance critics who reviewed the José Limón Dance Company during the company's 1957 European tour, and how it dev…
The Jooss Legacy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
No prominent works on this page.
The Jooss Legacy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dear Jane … Affectionately Doris H
This article explores the unpublicized and little-known friendship of Doris Humphrey and Jane Winearls, arguing that what each of them sought in the other was the chance to share inner reflections and dreams with a stimulating, supportive fellow dance practitioner. I examine how their friendship began when Winearls was one of the London dance critics who reviewed the José Limón Dance Company during the company's 1957 European tour, and how it dev…
Drums Sound in Hackensack
In 1941 Agnes de Mille created Drums Sound in Hackensack for the Jooss Ballet. There is no film of the work and few photographs, but the work is documented in her choreographic notes, letters to and from de Mille, dancers’ recollections, and reviews. From these we can learn why and how de Mille created the work, what it was like, and why it was significant to the Jooss Ballet. With its American theme, historical setting, dream sequence, and a fem…
Founding Editors’ Awards, Honoring Richard Ralph in 2019–2020
The biennial Founding Editors’ Awards, instituted by Dance Chronicle in 2015, constitute a favorite endeavor for the editors of the journal in the seasonal cycle of dance research. It allows us to
Lucia Ruprecht, Gestural Imaginaries
One Perspective, Many Voices
London Contemporary Dance School (LCDS) opened in 1966 in modest premises in Berners Place, close to Oxford Street in central London, moving to The Place (near Euston Station), the location with wh
Dance Chronicle ’s Past and Futures
Sigurd Leeder
This article acknowledges Sigurd Leeder (1902–1981) as a key figure in the dance scene in Europe and Chile from the 1920s through to the 1970s. Through reference to articles, reviews, letters, interviews, notation scores, performances and seminal texts his work as a visual artist, movement notator, dancer, choreographer and teacher is fully explored, and the influences of Rudolf Laban and Kurt Jooss on Leeder's life and work are examined. It is c…
Art (8 works) · Art history (7 works) · Diversity and Impact of Dance (7 works) · Visual arts (7 works) · Dance (6 works) · Musicology and Musical Analysis (5 works) · Sociology (4 works) · Computer Science (3 works) · Perspective (graphical) (2 works) · Philosophy (2 works)