Gloria Giordano
Biographic Data
| ID | 6185308 |
|---|---|
| NAME | Gloria Giordano |
| GIVEN NAMES | Gloria |
| FAMILY NAME | Giordano |
| SIGNATURE | GIORDANO G |
| AFFILIATIONS | National Academy of Dance |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Il repertorio coreutico «all’usanza Spagnola» in territorio italico. Prime indagini nelle rappresentazioni teatrali di collegio tra Sei e Settecento
Il saggio propone alcuni casi di studio desunti da fonti archivistiche e librettistiche relative alle rappresentazioni accademiche e teatrali svolte in vari collegi nobiliari italiani, gesuiti e non, tra Sei e Settecento, dai quali emerge la presenza di balli «all’usanza Spagnola» e più specificamente di tradizione ispanica come la sarabanda e la follia. Affinché l’indagine su tali fonti, per loro natura non di tipo tecnico, possa restituire elem…
Aripiprazole Long-Acting Injection During First Episode Schizophrenia—An Exploratory Analysis
Background: Long-acting injectable (LAI) aripiprazole was found to be efficacious in schizophrenia. In common clinical practice, the use of LAIs is often restricted to chronic patients with frequent relapses and poor adherence. Recently, some investigators advanced the idea of early LAI use also in young people with schizophrenia at their first psychotic episode (FEP). Objective: Our study aimed to assess the effect of LAI aripiprazole once month…
Gaetano grossatesta, an eighteenth‐century Italian Choreographer and Impresario, part two
When Gaetano Grossatesta moved to Naples in 1745, the city, which had been musically important from the Renaissance on, was enjoying a period of magnificent theatrical life following the accession to the throne of Carlo di Borbone (1716-1788). The son of Felipe V of Spain and Elisabeth Farnese, from whom he had inherited the Farese succession in the Duchy of Parma in 1731, he became king of Naples in 1734 as part of the War of the Polish Successi…
Gaetano Grossatesta, an Eighteenth‐Century Italian Choreographer and Impresario, Part One
An acquaintance with the now almost unknown artistic life of Gaetano Grossatesta, who lived from about 1700 to about 1774,1 helps to throw light on some of the more obscure areas of the history of Italian dance and its language. In the course of an artistic career lasting at least fifty years, he witnessed considerable changes in dance techniques and taste, carefully watching the European scene and promoting new choreographic tendencies. After wo…
Honoring Milloss
Creature di Prometeo: Il ballo teatrale, dal divertimento al dramma. Studies in honor of Aurel M. Milloss Edited by Giovanni Morelli. Illustrated, xi + 516 pp. Firenze: Olschki, 1996. L. 98,000. ISBN 88–222–4415‐X
A Venetian Festa in Feuillet Notation
According to the English surgeon and traveller Samuel Sharp, Grossatesta was 'molto famoso' (very famous)2 in his own time and, according to the playwright Carlo Goldoni, 'il avoit beaucoup d'esprit, et etoit tres instruit'.3 In his Memoires Goldoni also says that Grossatesta's salon was frequented by the most highly acclaimed artists. When he himself attended it in 1733 to present the manuscript of a new drama (the Amalassunta,4 which he later b…
No prominent works on this page.
A Venetian Festa in Feuillet Notation
According to the English surgeon and traveller Samuel Sharp, Grossatesta was 'molto famoso' (very famous)2 in his own time and, according to the playwright Carlo Goldoni, 'il avoit beaucoup d'esprit, et etoit tres instruit'.3 In his Memoires Goldoni also says that Grossatesta's salon was frequented by the most highly acclaimed artists. When he himself attended it in 1733 to present the manuscript of a new drama (the Amalassunta,4 which he later b…
Honoring Milloss
Creature di Prometeo: Il ballo teatrale, dal divertimento al dramma. Studies in honor of Aurel M. Milloss Edited by Giovanni Morelli. Illustrated, xi + 516 pp. Firenze: Olschki, 1996. L. 98,000. ISBN 88–222–4415‐X
Gaetano grossatesta, an eighteenth‐century Italian Choreographer and Impresario, part two
When Gaetano Grossatesta moved to Naples in 1745, the city, which had been musically important from the Renaissance on, was enjoying a period of magnificent theatrical life following the accession to the throne of Carlo di Borbone (1716-1788). The son of Felipe V of Spain and Elisabeth Farnese, from whom he had inherited the Farese succession in the Duchy of Parma in 1731, he became king of Naples in 1734 as part of the War of the Polish Successi…
Gaetano Grossatesta, an Eighteenth‐Century Italian Choreographer and Impresario, Part One
An acquaintance with the now almost unknown artistic life of Gaetano Grossatesta, who lived from about 1700 to about 1774,1 helps to throw light on some of the more obscure areas of the history of Italian dance and its language. In the course of an artistic career lasting at least fifty years, he witnessed considerable changes in dance techniques and taste, carefully watching the European scene and promoting new choreographic tendencies. After wo…
Aripiprazole Long-Acting Injection During First Episode Schizophrenia—An Exploratory Analysis
Background: Long-acting injectable (LAI) aripiprazole was found to be efficacious in schizophrenia. In common clinical practice, the use of LAIs is often restricted to chronic patients with frequent relapses and poor adherence. Recently, some investigators advanced the idea of early LAI use also in young people with schizophrenia at their first psychotic episode (FEP). Objective: Our study aimed to assess the effect of LAI aripiprazole once month…
Il repertorio coreutico «all’usanza Spagnola» in territorio italico. Prime indagini nelle rappresentazioni teatrali di collegio tra Sei e Settecento
Il saggio propone alcuni casi di studio desunti da fonti archivistiche e librettistiche relative alle rappresentazioni accademiche e teatrali svolte in vari collegi nobiliari italiani, gesuiti e non, tra Sei e Settecento, dai quali emerge la presenza di balli «all’usanza Spagnola» e più specificamente di tradizione ispanica come la sarabanda e la follia. Affinché l’indagine su tali fonti, per loro natura non di tipo tecnico, possa restituire elem…
Art (5 works) · Art history (3 works) · Humanities (3 works) · Musicology and Musical Analysis (3 works) · Theater, Performance, and Music History (3 works) · Historical Art and Culture Studies (2 works) · History (2 works) · Law (2 works) · Performance art (2 works) · Political science (2 works)