Carrie Gaiser Casey
Biographic Data
| ID | 6185311 |
|---|---|
| NAME | Carrie Gaiser Casey |
| GIVEN NAMES | Carrie Gaiser |
| FAMILY NAME | Casey |
| SIGNATURE | CASEY C G |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
The Gesture of Memorial
In 2013, Alexei Ratmansky's Chamber Symphony premiered as part of his acclaimed Shostakovich Trilogy (2012–2013). In this article, I examine how Chamber Symphony demonstrates a political and memorial orientation toward the Soviet past. The creation of the work was prompted by an autobiographical interpretation of the ballet's music—an orchestrated version of the composer's Eighth Quartet. I analyze the choreographic devices Ratmansky uses to repr…
The Ballet Corporealities of Anna Pavlova and Albertina Rasch
This article examines the dance practices and performance philosophies of Anna Pavlova and Albertina Rasch, two company directors, choreographers, and dancers of the early twentieth century, within the context of the discourses of the American women's movement. I reconstruct the "ballet corporealities" of Pavlova and Rasch—how their practices, techniques, and philosophies embodied larger cultural forces—based on archival evidence, interviews, pho…
No prominent works on this page.
The Ballet Corporealities of Anna Pavlova and Albertina Rasch
This article examines the dance practices and performance philosophies of Anna Pavlova and Albertina Rasch, two company directors, choreographers, and dancers of the early twentieth century, within the context of the discourses of the American women's movement. I reconstruct the "ballet corporealities" of Pavlova and Rasch—how their practices, techniques, and philosophies embodied larger cultural forces—based on archival evidence, interviews, pho…
The Gesture of Memorial
In 2013, Alexei Ratmansky's Chamber Symphony premiered as part of his acclaimed Shostakovich Trilogy (2012–2013). In this article, I examine how Chamber Symphony demonstrates a political and memorial orientation toward the Soviet past. The creation of the work was prompted by an autobiographical interpretation of the ballet's music—an orchestrated version of the composer's Eighth Quartet. I analyze the choreographic devices Ratmansky uses to repr…
Art (2 works) · Art history (2 works) · Ballet (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Musicology and Musical Analysis (2 works) · Visual arts (2 works) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Classical ballet (1 work)